References

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Cited by

• 2004The Cambridge History of British Theatre105 cited
• 1998Approaching the "Structure of Feeling" in Grassroots Theatre34 cited
• 2019Sonic Accessibility: Increasing Social Equity Through the Inclusive Design of Sound in Museums and Heritage Sites32 cited
• 2013Inclusive Design, Audio Description and Diversity of Theatre Experiences30 cited
• 2013Mapping Irish Theatre: Theories of Space and Place25 cited
• 2011Containing the Audience: The 'Room' in Stand-up Comedy18 cited
• 2015Putting participation on stage: examining participatory theatre as an alternative site for political participation14 cited
• 1990‘To Define Your Dissent’: The Plays and Polemics of the Field Day Theatre Company13 cited
• 2014Popular Theatre for Science Engagement: Audience Engagement with Human Cloning Following a Production of Caryl Churchill'sA Number10 cited
• 2000Interrupting “Truths,” Engaging Perspectives, and Enlarging the Concept of “Human” in Classroom Drama9 cited
• 1996John Osborne and the Myth of Anger7 cited
• 1999Performing Capital in Caryl Churchill's Serious Money6 cited
• 2004The establishment of mainstream theatre, 1946–19796 cited
• 1999The History, Geography, and Heterogeneity of American Dramatic Realism