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Interval Cycles, Affinity Spaces, and Transpositional Networks
10 references·2 citing·27 second hop
Interval Cycles, Affinity Spaces, and Transpositional Networks (2011)Interval Cycles, Affinity Spaces, and Tra…Shades of the Studio: Electronic Influences on Ligeti's "Apparitions" (2009)Shades of the Studio: Electro…Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók (2007)Multi-Aggregate Cycles and Mu…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Notes on the Opening of the F# Minor Fugue from WTCI (1998)Notes on the Opening of the F…Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Introduction to Neo-Riemannia…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Regions: A Theory of Tonal Spaces in Early Medieval Treatises (1996)Regions: A Theory of Tonal Sp…Interval Cycles as Compositional Resources in the Music of Charles Ives (1990)Interval Cycles as Compositio…The Affinities and Medieval Transposition (1989)The Affinities and Medieval T…BERG'S MASTER ARRAY OF THE INTERVAL CYCLES (1977)BERG'S MASTER ARRAY OF THE IN…Violin Fingerboard Space (2024)Violin Fingerboard SpaceAligned-Cycle Spaces (2016)Aligned-Cycle SpacesA Formal Theory of Generalized Tonal Functions (1982)Composition With Pitch-Classes (1987)Bela Bartok and Turn-of-the-Century Budapest (1998)Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 (2010)Chick Corea and Postbop Harmony (2016)Basic atonal theory (1980)Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives (1996)The New Grove dictionary of music and musicians (2001)Cycles in Webern’s Late Music (2018)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Studies in Analysis and History of Theory: The Sixteenth and Seventeenth Centuries (1989)Affinity Spaces and Their Host Set Classes (2009)Bartók's Polymodality (2015)Journal of Music Theoryover the Years (2006)Constructing Transformational Signification (2009)Geometric Generalizations of the Tonnetz and Their Relation to Fourier Phases Spaces (2018)A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself" (1995)Contextual-Inversion Spaces (2011)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)On Coherence and Sameness, and the Evaluation of Scale Candidacy Claims (2002)The Rise of 6 in the Nineteenth Century (2002)Tonal prisms: iterated quantization in chromatic tonality and Ravel's ‘Ondine’ (2013)Statistical Form amongst the D armstadt School (2014)
this work references cited by second hop

References

  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 1977BERG'S MASTER ARRAY OF THE INTERVAL CYCLES41 cited
  • 2007Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók28 cited
  • 1996Regions: A Theory of Tonal Spaces in Early Medieval Treatises27 cited
  • 1990Interval Cycles as Compositional Resources in the Music of Charles Ives22 cited
  • 1989The Affinities and Medieval Transposition20 cited
  • 1998Notes on the Opening of the F# Minor Fugue from WTCI15 cited
  • 2009Shades of the Studio: Electronic Influences on Ligeti's "Apparitions"11 cited

Cited by

  • 2024Violin Fingerboard Space4 cited
  • 2016Aligned-Cycle Spaces3 cited

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