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Live concerts and fan identity in the age of the Internet
15 references·7 citing·38 second hop
Live concerts and fan identity in the age of the Internet (2015)Live concerts and fan identity in the age…There Ain't No Black in the Union Jack (2013)There Ain't No Black in the U…Patterns of listening through social media: online fan engagement with the live music experience (2012)Patterns of listening through…The sociology of popular music, interdisciplinarity and aesthetic autonomy 1 (2011)The sociology of popular musi…Music fandom online: R.E.M. fans in pursuit of the ultimate first listen (2011)Music fandom online: R.E.M. f…The economy of live music in the digital age (2010)The economy of live music in …Documenting, Creating, and Interpreting Moments of Definition: Monterey Pop, Woodstock, and Gimme Shelter (2009)Documenting, Creating, and In…Community: Seeking Safety in an Insecure World (2007)Community: Seeking Safety in …The virtual self: a contemporary sociology (2004)The virtual self: a contempor…The Paradox of Choice: Why More Is Less (2004)The Paradox of Choice: Why Mo…Authenticity: Brands, Fakes, Spin and the Lust for Real Life (2003)Authenticity: Brands, Fakes, …Towards a Sociology of Information Technology (2002)Towards a Sociology of Inform…The individualized society (2002)The individualized societyAdoring Audience: Fan Culture and Popular Media (1994)Adoring Audience: Fan Culture…A Social Psychologist Discovers Chicago Sociology (1989)A Social Psychologist Discove…Music and Society: The Politics of Composition, Performance and Reception. (1988)Music and Society: The Politi…Alone in the Crowd? Live Music Audiences and Individual Experience (2025)Alone in the Crowd? Live Musi…La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique (2022)La captation et ses paradoxes…Building performance capital during hard lockdown: Insights from the ESNS 2021 virtual-only showcase festival (2022)Building performance capital …Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)Staying in, rocking out: Onli…Popular Music Fans and the Value of Concert Tickets (2019)Popular Music Fans and the Va…Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality (2017)Music Audiences 3.0: Concert-…Why go to pop concerts? The motivations behind live music attendance (2016)Why go to pop concerts? The m…Technology is Society Made Durable (1990)The Global City (1991)The Global City (2001)Digital Ethnography (2008)Ethnographic Approaches to Digital Media (2010)e-Tourism beyond COVID-19: a call for transformative research (2020)From Ritual to Theatre: The Human Seriousness of Play (1983)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Work of Art in the Age of Mechanical Reproduction (2007)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? (2020)The Presentation of Self in Everyday Life. (1956)Men and Their Work. (1959)Dyadic Business Relationships within a Business Network Context (1994)Customer Satisfaction and Word of Mouth (1998)Identity construction on Facebook: Digital empowerment in anchored relationships (2008)The Presentation of Self in Everyday Life (2023)Globalization and Religious Nationalism: Self, Identity, and the Search for Ontological Security (2004)The recognition and misrecognition of community heritage (2010)Home and Migration: Mobilities, Belongings and Identities (2011)Beyond Money (2004)Handbook of Motivation at School (2009)The weirdest people in the world? (2010)The Aesthetics of Music (1981)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The mp3 as cultural artifact (2006)A Social Identity Model of Deindividuation Phenomena (1995)Why Media Matter: Toward a Richer Understanding of Consumers' Relationships with Advertising and Mass Media (1997)Understanding sponsorship effects (2001)blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)Club cultures: music, media and subcultural capital (1996)Methodology of the Oppressed (2010)Dissecting the Social (2005)Identity and Agency in Emerging Adulthood (2005)The Everyday Life of Global Finance (2008)The Quest for Authenticity in Consumption: Consumers’ Purposive Choice of Authentic Cues to Shape Experienced Outcomes (2009)Brand authenticity: An integrative framework and measurement scale (2014)The role of live streaming in building consumer trust and engagement with social commerce sellers (2018)
this work references cited by second hop

References

  • 1989A Social Psychologist Discovers Chicago Sociology7,215 cited
  • 2004The Paradox of Choice: Why More Is Less2,512 cited
  • 2013There Ain't No Black in the Union Jack1,752 cited
  • 2002The individualized society1,745 cited
  • 2007Community: Seeking Safety in an Insecure World1,121 cited
  • 1994Adoring Audience: Fan Culture and Popular Media929 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.608 cited
  • 2002Towards a Sociology of Information Technology333 cited
  • 2003Authenticity: Brands, Fakes, Spin and the Lust for Real Life220 cited
  • 2010The economy of live music in the digital age167 cited
  • 2012Patterns of listening through social media: online fan engagement with the live music experience132 cited
  • 2004The virtual self: a contemporary sociology88 cited
  • 2011The sociology of popular music, interdisciplinarity and aesthetic autonomy 138 cited
  • 2011Music fandom online: R.E.M. fans in pursuit of the ultimate first listen37 cited
  • 2009Documenting, Creating, and Interpreting Moments of Definition: Monterey Pop, Woodstock, and Gimme Shelter22 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2016Why go to pop concerts? The motivations behind live music attendance150 cited
  • 2020Staying in, rocking out: Online live music portal shows during the coronavirus pandemic80 cited
  • 2017Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality51 cited
  • 2019Popular Music Fans and the Value of Concert Tickets18 cited
  • 2022Building performance capital during hard lockdown: Insights from the ESNS 2021 virtual-only showcase festival8 cited
  • 2022La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique4 cited
  • 2025Alone in the Crowd? Live Music Audiences and Individual Experience2 cited