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Musical Forces and Melodic Patterns
5 references·6 citing·40 second hop
Musical Forces and Melodic Patterns (2016)Musical Forces and Melodic PatternsMusic as Drama (1988)Music as DramaOn the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5 (1985)On the Relation of Analysis t…"Grundgestalt" as Tonal Function (1983)"Grundgestalt" as Tonal Funct…Schenker's "Motivic Parallelisms" (1978)Schenker's "Motivic Paralleli…The Selfish Gene (1976)The Selfish GeneSeeing Voices (2024)Seeing VoicesMusic, Encounter, Togetherness (2024)Music, Encounter, TogethernessFilm as Embodied Art (2019)Film as Embodied ArtMusical Semiotics as a Tool for the Social Study of Music. By Óscar Hernández Salgar. Translated by Brenda M. Romero. (2016)Musical Semiotics as a Tool f…P aradoxes of P itch S pace (2008)P aradoxes of P itch S paceMetaphor and music (2008)Metaphor and musicStructural Functions of Harmony (1954)Fundamentals of Musical Composition (1968)Style and Idea. Selected Writings of Arnold Schoenberg (1976)What's in a Motive? Schoenberg and Schenker Reconsidered (1996)Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (2014)Understanding the leitmotif: from Wagner to Hollywood film music (2016)The Body in the Mind (1987)Women, Fire, and Dangerous Things (1987)Metaphors We Live By (2003)Contextual-Inversion Spaces (2011)Extraordinary Measures (2011)Harmonic Vectors and the Constraints of Tonality (2018)Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)On the pleasures of the mind. (1999)Well-being : the foundations of hedonic psychology (1999)The Cultural Origins of Human Cognition (2000)Bridging the gap between image and metaphor through cross-modal iconicity (2017)Embedded blends and meaning construction in Modest Musorgsky’s Pictures at an Exhibition (2018)‘Please could you stop the noise’: The grammar of multimodal meaning-making in Radiohead’s ‘Paranoid Android’ (2019)The genetical evolution of social behaviour. I (1964)Sociobiology: The New Synthesis. (1976)The Evolution of Cooperation (1981)Evolution and the Theory of Games (1988)Five Rules for the Evolution of Cooperation (2006)Evolutionary games on graphs (2007)The Presentation of Self in Everyday Life. (1956)How Motion Shapes Thought in Cinema (2020)The Presentation of Self in Everyday Life (2023)The Principles of Psychology (1891)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)The way we think: conceptual blending and the mind's hidden complexities (2002)Soundings on a Relational Epistemology: Encountering Indigenous Knowledge through Interwoven Experience (2023)Enforcing Normalcy: Disability, Deafness, and the Body (1995)The Affect Theory Reader (2010)Musical Performance as Interpretation (1995)Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation1 (2007)Translating musical meaning (2023)Variation Procedures in Northern Ewe Song (1990)A Theory of Motives for Prokofiev's Music (2004)
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References

  • 1976The Selfish Gene10,422 cited
  • 1988Music as Drama127 cited
  • 1985On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5124 cited
  • 1978Schenker's "Motivic Parallelisms"65 cited
  • 1983"Grundgestalt" as Tonal Function61 cited

Cited by

  • 2008Metaphor and music107 cited
  • 2008P aradoxes of P itch S pace45 cited
  • 2024Music, Encounter, Togetherness17 cited
  • 2019Film as Embodied Art16 cited
  • 2024Seeing Voices10 cited
  • 2016Musical Semiotics as a Tool for the Social Study of Music. By Óscar Hernández Salgar. Translated by Brenda M. Romero.9 cited

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