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"A Ghetto Education Is Basic": (Jamaican) Dancehall Masculinities as Counter-Culture
16 references·6 citing·32 second hop
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References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1980Writing and Difference7,689 cited
  • 2000The Wretched of the Earth7,493 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 2003Can the Subaltern Speak?4,166 cited
  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1988Gender and the Politics of History3,011 cited
  • 2003Compulsory Heterosexuality and Lesbian Existence (1980)2,398 cited
  • 1400Marxism and the Interpretation of Culture2,085 cited
  • 1984Literary Theory: An Introduction2,078 cited
  • 19994.3 ‘Bodies that Matter’2,036 cited
  • 1995Beginning Theory: An Introduction to Literary and Cultural Theory1,251 cited
  • 1990The politics of postmodernism1,225 cited
  • 1998Black Skins, White Masks915 cited
  • 1999Literary Theory: A Very Short Introduction909 cited
  • 2005The rediscovery of ‘ideology’: return of the repressed in media studies840 cited

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Cited by

  • 2008Postcolonial Criticism, Transnational Identifications and the Hegemonies of Dancehall's Academic and Popular Performativities18 cited
  • 2020Affective cosmopolitanisms in Singapore: Dancehall and the decolonisation of the self17 cited
  • 2020Free bodies, segmented selves: Paradoxical spaces of dancehall culture in Singapore10 cited
  • 2010“Why Must All Girls Want to be Flag Women?”6 cited
  • 2017Glocal riddim: cultural production and territorial identity in Caribbean music videos4 cited
  • 2020Battyboy must die! Dancehall, class and religion in Jamaican homophobia4 cited