Thinking about the representation of music: A case-study of invented notation

Abstract

Children's invented notations have been viewed as windows onto their musical thinking and the study of these notations has provided fertile ground for the investigation of aspects of children's musical perception and conception. A common feature of children's invented notations is the borrowing of symbols and strategies from a range of symbol systems, including drawing, music, number, and writing systems. Does this activity indicate that children operate from a common semiotic function or do they observe constraints in their use of symbols from different systems? Importantly, do these notations operate as referential communicative tools or are they formal problem-spaces for children as they think about the representation of music experience? These questions about the meaning and function of invented notation are explored through a case-study of the musical and notational work of a kindergarten girl over a one-year period. Findings of the study suggest that invented notations do not function solely as a denotive system that refers to and communicates information about music

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