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Formal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata
8 references·4 citing·29 second hop
Formal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata (2010)Formal Process, Sonata Theory, and the Fi…Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the “Tempest” Sonata (2017)Form as the Process of Becomi…Sonata Theory and Dialogic Form (2010)Sonata Theory and Dialogic Fo…Elements of Sonata Theory (2006)Elements of Sonata TheoryElements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…Beethoven's concertos: history, style, performance (2000)Beethoven's concertos: histor…Beethoven (1995)BeethovenLudwig van Beethoven: Approaches to His Music (1993)Ludwig van Beethoven: Approac…Adorno's Aesthetics of Music (1993)Adorno's Aesthetics of MusicThe ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)The ‘Continuous Exposition’ a…In Search of Romantic Form (2013)In Search of Romantic FormCompositions, Scores, Performances, Meanings (2012)Compositions, Scores, Perform…Review of Janet Schmalfeldt:In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music(Oxford University Press, 2011) (2011)Review of Janet Schmalfeldt:I…Playing with History (2002)After Adorno (2003)Music—Drastic or Gnostic? (2004)Classical music as enforced Utopia (2016)Performers’ discourses on listening to recordings (2020)Performing Knowledge (2020)Classical Form (1998)The Classical Cadence: Conceptions and Misconceptions (2004)Bass-Line Melodies and Form in Four Piano and Chamber Works by Clara Wieck-Schumann (2016)Beyond the Classical Cadence: Thematic Closure in Early Romantic Music (2018)Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music (2018)Versuch einer Anleitung zur Composition (1969)Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form‐Functional Theory (2016)Rethinking Mendelssohn (2020)Cadence (2024)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Wagner, Deafness, and the Reception of Beethoven's Late Style (1998)Poetry and the Romantic Musical Aesthetic (2008)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Extraordinary Measures (2011)Toward a Predictive Theory of Theme Types (2020)Tonality (2023)Theorizing Musical Meaning (2001)Adorno, Theodor W. (2006)The Other Beethoven: Heroism, the Canon, and the Works of 1813–14 (2003)M eyer's Anvil: Revisiting the Schema Concept (2012)Vocal performance in the seventeenth century (2012)
this work references cited by second hop

References

  • 2006Elements of Sonata Theory645 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1993Adorno's Aesthetics of Music394 cited
  • 1993Ludwig van Beethoven: Approaches to His Music70 cited
  • 2000Beethoven's concertos: history, style, performance63 cited
  • 2010Sonata Theory and Dialogic Form44 cited
  • 1995Beethoven44 cited
  • 2017Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the “Tempest” Sonata23 cited

Cited by

  • 2012Compositions, Scores, Performances, Meanings94 cited
  • 2015The ‘Continuous Exposition’ and the Concept of Subordinate Theme88 cited
  • 2013In Search of Romantic Form51 cited
  • 2011Review of Janet Schmalfeldt:In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music(Oxford University Press, 2011)2 cited

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