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Shakespeare and amateur performance: a cultural history
16 references·3 citing·30 second hop
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References

  • 1993Vested Interests: Cross-Dressing and Cultural Anxiety1,816 cited
  • 2014Oxford Dictionary of National Biography935 cited
  • 2003The island race: Englishness, empire and gender in the eighteenth century478 cited
  • 1964Brecht on Theatre408 cited
  • 1997Impersonations: the performance of gender in Shakespeare's England295 cited
  • 2010War at a distance: Romanticism and the making of modern wartime194 cited
  • 1994The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769.191 cited
  • 1998Black Jacks: African American Seamen in the Age of Sail189 cited
  • 2010An Enquiry Into the Duties of the Female Sex173 cited
  • 1980David Garrick: A Critical Biography146 cited
  • 2007Women, Sociability and Theatre in Georgian London134 cited
  • 2005Local acts: community-based performance in the United States112 cited
  • 2007The literary tourist: readers and places in Romantic and Victorian Britain110 cited
  • 2006Greek tragedy and the British theatre, 1660-1914104 cited
  • 1995The Theatre in America during the Revolution91 cited
  • 1996The theatres of war: performance, politics, and society, 1793-1815

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85 cited

Cited by

  • 2017Shakespeare for freedom why the plays matter23 cited
  • 2015Sarah Sophia Banks’s Private Theatricals: Ephemera, Sociability, and the Archiving of Fashionable Life17 cited
  • 2017Amateur hour: culture, capital, and the Royal Shakespeare Company’s Open Stages initiative7 cited