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The Technique of Film Editing
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The Technique of Film Editing (1957)The Technique of Film EditingCreating character in editing (2023)Creating character in editingThe Attentional Theory of Cinematic Continuity (2012)The Attentional Theory of Cin…Spatial Representation in Cognitive Science and Film (2009)Spatial Representation in Cog…Archive video footage in news: creating a likeness and index of the phenomenal world (2006)Archive video footage in news…An Attentional Theory of Continuity Editing (2006)An Attentional Theory of Cont…Moving Pictures (1999)Moving PicturesFilm-induced affect as a witness emotion (1995)Film-induced affect as a witn…Audio-vision: sound on screen (1994)Audio-vision: sound on screenAdvertising in the Age of Hypersignification (1994)Advertising in the Age of Hyp…Cinematic primitives for multimedia (1991)Cinematic primitives for mult…Human Performance Models for Computer-Aided Engineering (1990)Human Performance Models for …Themes in the cinema of Jean Rouch (1989)Themes in the cinema of Jean …The Treatment of Foreground-Background Information in the On-Line Descriptive Discourse of Second Language Learners (1984)The Treatment of Foreground-B…Influence of the medium on children's story apprehension. (1980)Influence of the medium on ch…Ideology and the Practice of Sound Editing and Mixing (1980)Ideology and the Practice of …THE PERCEPTION OF MOTION PICTURES (1978)THE PERCEPTION OF MOTION PICT…Statistical principles in experimental design. (1962)Toward a model of text comprehension and production. (1978)Zero Anaphora in Second Language Acquisition:A Comparison among Three Varieties of English (1988)Video Narration as a Language Sampling Context (1990)Statistical Principles in Experimental Design (1992)"It's Like Chicken but Bigger": Effects of Communication Strategy in the ESL Classroom (2003)A Social Psychologist Discovers Chicago Sociology (1989)Raiding the postmodern pantry (1997)Living with Ambivalence (2001)English in Advertising: Generic Intertextuality in a Globalizing Media Environment (2009)Dialectic of Enlightenment (2020)The Society of the Spectacle (2020)Language and Cinema (1974)Rating the Importance of Structural Units of Prose Passages: A Problem of Metacognitive Development (1977)Specific impact of radio and television on children's story comprehension. (1983)Longitudinal Effects of Television on Children's Leisure-Time Reading A Test of Three Explanatory Models (1996)The Gutenberg Galaxy (1997)TV as storyteller: How exposure to television narratives impacts at‐risk preschoolers' story knowledge and narrative skills (2009)SCRIPTS, PLANS, GOALS, AND UNDERSTANDING (1988)Emotion And Adaptation (1991)Principles of Categorization (2002)Psychonarratology (2002)Media and Emotions (2005)Perspectives on Language and Language Development (2005)Basic objects in natural categories (1976)How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film (2011)The Changing Poetics of the Dissolve in Hollywood Film (2011)Accessible filmmaking: Joining the dots between audiovisual translation, accessibility and filmmaking (2013)Principles Of Gestalt Psychology (2013)The Construction Of Reality In The Child (2013)Phénoménologie de la perception (1976)Unheard melodies: narrative film music (1988)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)What is cinema (1967)Film Art: An Introduction (1979)The way Hollywood tells it: story and style in modern movies (2006)Narrative theory and the dynamics of popular movies (2016)The Empathic Screen (2019)The Scene Perception & Event Comprehension Theory (SPECT) Applied to Visual Narratives (2019)The Principles of Psychology (1891)The Economics of Organization: The Transaction Cost Approach (1981)Architecture of Cognition (1983)Cognitive simulation as a tool for cognitive task analysis (1992)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Speech Acts (1969)Women, Fire, and Dangerous Things (1987)Empathy, Film, and the Brain (2014)Mining cinematic knowledge: work in progress [an extended abstract] (2000)Capturing stories in organizational memory systems: the role of multimedia (2002)
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  • 1994Audio-vision: sound on screen1,584 cited
  • 1995Film-induced affect as a witness emotion221 cited
  • 1991Cinematic primitives for multimedia221 cited
  • 2012The Attentional Theory of Cinematic Continuity208 cited
  • 1980Influence of the medium on children's story apprehension.116 cited
  • 1999Moving Pictures92 cited
  • 1990Human Performance Models for Computer-Aided Engineering81 cited
  • 1994Advertising in the Age of Hypersignification57 cited
  • 2006An Attentional Theory of Continuity Editing54 cited
  • 1984The Treatment of Foreground-Background Information in the On-Line Descriptive Discourse of Second Language Learners46 cited
  • 1980Ideology and the Practice of Sound Editing and Mixing35 cited
  • 2009Spatial Representation in Cognitive Science and Film34 cited
  • 1978THE PERCEPTION OF MOTION PICTURES28 cited
  • 1989Themes in the cinema of Jean Rouch26 cited
  • 2023Creating character in editing22 cited
  • 2006Archive video footage in news: creating a likeness and index of the phenomenal world

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22 cited