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Drama and Curriculum: A Giant at the Door
0 references·14 citing·46 second hop
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(1985)Distinction: A Social Critique of the Judgement of Taste* (2018)Drama pedagogy as aretaic pedagogy: the synergy of a teacher’s embodiment of artistry (2020)Theatre and drama education and populism: The ensemble ‘family’ as a space for dialogic empathy and civic care (2020)Primary-Secondary Transition – Building Hopes and Diminishing Fears Through Drama (2021)Towards an analysis of discourse : the English used by teachers and pupils (1975)Towards an analysis of discourse: The English used by teachers and pupils (1976)Creativity and Early Talent Development in the Arts in Young and Schoolchildren (2012)From communicative competence to communicative language pedagogy (2014)Teachers’ professional competences: what has Drama in Education to offer? An empirical study in Greece (2016)How Does Comprehensive Art Education Facilitate Children’s Creativity? A Mixed-Methods Study in China (2024)Strengthening Verbal Skills through the Use of Classroom Drama: A Clear Link (2000)Multimodality: A Social Semiotic Approach to Contemporary Communication (2009)The Corporeal turn: An interdisciplinary reader (2009)Effects of a Theatrical Improvisation programme on students’ motor creativity (2020)“It really connects all participants” example of a playbuilding process through youth theatre-based competition in Iceland (2024)The Long Revolution (1961)Out of Our Minds Learning to Be Creative (2002)NA TIO N AL C O UNC I L FOR CURRICUL U M AND AS SE SS MENT (2004)The drama in sociodramatic play: implications for curriculum and pedagogy (2017)The Ecology of Human Development (1979)The Ecology of Human Development (1981)Visible Learning: A Synthesis of Over 800 Meta-Analyses Relating to Achievement (2008)Arts engagement outside of school: Links with Year 10 to 12 students’ intrinsic motivation and self-efficacy in responding to art (2018)Art in my world: Exploring the visual art experiences in the everyday lives of young children and their impact on cultural capital (2020)The impact of Chinese adolescents visual art participation on self-efficacy: A serial mediating role of cognition and emotion (2023)Self-efficacy: the exercise of control (1997)Qualitative research and case study applications in education (1998)Self-Efficacy: The Exercise of Control (1999)The Body Multiple (2002)Funds of Knowledge: Theorizing practices in households, communities, and classrooms. (2005)Case Study Research and Applications: Design and Methods (2017)Empathetic encounters of children’s augmented storying across the human and more-than-human worlds (2021)Drama for Learning: Dorothy Heathcote's Mantle of the Expert Approach to Education (1995)Video in Qualitative Research: Analysing Social Interaction in Everyday Life (2010)Art for Art's Sake? (2012)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)Frames of Mind: The Theory of Multiple Intelligences (1984)Pedagogy of Freedom: Ethics, Democracy, and Civic Courage (1998)A Phenomenological Research Design Illustrated (2004)Arts Education for Children with Disabilities: A Systematic Literature Review (2024)Becoming Ecological: The Contribution of Collaborative a/r/tography to Generalist Primary Teachers’ Agency in Arts Education (2024)Why bother with arts education in schools? (2024)
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  • 2011Reflections on a primary school teacher professional development programme on learning English through Process Drama47 cited
  • 2020Effects of implementing an integrative drama-inquiry learning model in a science classroom22 cited
  • 2021Challenges, implications and the future of the Australian Curriculum: The Arts18 cited
  • 2009The Art of Togetherness: Reflections on Some Essential Artistic and Pedagogic Qualities of Drama Curricula18 cited
  • 2019Process Drama in Civic Education: Balancing Student Input and Learning Outcomes in a Playful Format17 cited
  • 2016Student, home, and school socio-demographic factors: links to school, home, and community arts participation16 cited
  • 2016Drama and theatre in a Nordic curriculum perspective – a challenged arts subject used as a learning medium in compulsory education16 cited
  • 2019Treading softly in the enchanted forest: exploring the integration of iPads in a participatory theatre education programme14 cited
  • 2016Poltergeist, problem or possibility? Curriculum drama in the Republic of Ireland10 cited
  • 2017The teacher as co-creator of drama: a phenomenological study of the experiences and reflections of Irish primary school teachers8 cited
  • 2015The ‘third thing’: Rancière, process drama and experimental performance8 cited
  • 2014Exploring the potential of the process drama convention of dramatised poetry to enhance anger-management skills in adolescent girls7 cited

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  • 2020Drama as inclusive literacy in high diversity schools7 cited
  • 2016Ambassadors of Aesthetic Experience: The Healing Legacy of Maxine Greene6 cited