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Indian Captivity Narratives and the Origins of American Frontier Gothic
13 references·0 citing·29 second hop
Indian Captivity Narratives and the Origins of American Frontier Gothic (2013)Indian Captivity Narratives and the Origi…The Coherence of Gothic Conventions (2023)The Coherence of Gothic Conve…The National Uncanny: Indian Ghosts and American Subjects (2001)The National Uncanny: Indian …Women's Indian captivity narratives (1998)Women's Indian captivity narr…The Face of the Tenant: (1998)The Face of the Tenant:Gothic America: Narrative, History, and Nation (1998)Gothic America: Narrative, Hi…American Gothic (1998)American GothicCaptivity and Sentiment: Cultural Exchange in American Literature, 1682-1861 (1997)Captivity and Sentiment: Cult…Bound and Determined: Captivity, Culture-Crossing, and White Womanhood from Mary Rowlandson to Patty Hearst. (1997)Bound and Determined: Captivi…Frontier Gothic: Terror and Wonder at the Frontier in American Literature (1994)Frontier Gothic: Terror and W…The Indian captivity narrative, 1550-1900 (1993)The Indian captivity narrativ…The amber gods and other stories (1990)The amber gods and other stor…EDGAR HUNTLY OR MEMOIRS OF A SLEEP-WALKER (1985)EDGAR HUNTLY OR MEMOIRS OF A …Love and Death in the American Novel. (1961)Love and Death in the America…Discipline and Punish: The Birth of the Prison (1978)Distinction: A Social Critique of the Judgement of Taste. (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Red Ink: Native Americans Picking up the Pen in the Colonial Period (2012)Photographing Objects as Queer Archival Practice (2014)There Is a River in Me (2014)Eighteenth-Century Fiction and the Law of Property (2002)The Cambridge History of English Literature, 1660–1780 (2005)Catholicism, Sexual Deviance, and Victorian Gothic Culture (2006)Gendered Construction of the American Indian in Popular Media (1999)"The Man That Was Used Up": Edgar Allan Poe and the Ends of Captivity (2002)Transforming Captivity Narratives in Kevin Willmott’s The Only Good Indian (2009) (2016)The Cambridge History of the American Novel (2011)The worlding of the American novel (2011)cultural geographies essay: Indigenous spectrality and the politics of postcolonial ghost stories (2008)Native Seattle: histories from the crossing-over place (2008)SETTLER HOMONATIONALISM (2010)Cannibalism in Literature and Film (2012)The Myths That Made America (2014)Romanticism and the American Gothic (2017)Exploring the post-genomic world: differing explanatory and manipulatory functions of post-genomic sciences (2016)Hawthorne and Science Fiction (2018)The nineteenth-century historical novel (2011)Woman in the Nineteenth Century (1984)The Cambridge History of American Theatre (1998)Bad is Stronger than Good (2001)Disturbing Indians: the archaeology of southern fiction (2008)The YouTube Indian: Portrayals of Native Americans on a viral video site (2010)Women Writing the English Republic, 1625–1681 (2017)
this work references cited by second hop

References

  • 1961Love and Death in the American Novel.807 cited
  • 2023The Coherence of Gothic Conventions533 cited
  • 2001The National Uncanny: Indian Ghosts and American Subjects293 cited
  • 1998Gothic America: Narrative, History, and Nation149 cited
  • 1997Bound and Determined: Captivity, Culture-Crossing, and White Womanhood from Mary Rowlandson to Patty Hearst.144 cited
  • 1997Captivity and Sentiment: Cultural Exchange in American Literature, 1682-186192 cited
  • 1993The Indian captivity narrative, 1550-190088 cited
  • 1998Women's Indian captivity narratives79 cited
  • 1998American Gothic59 cited
  • 1994Frontier Gothic: Terror and Wonder at the Frontier in American Literature54 cited
  • 1985EDGAR HUNTLY OR MEMOIRS OF A SLEEP-WALKER47 cited
  • 1990The amber gods and other stories31 cited
  • 1998The Face of the Tenant:28 cited

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