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From the Margins to the Mainstream: Creating Value in Queensland's Music Industry
16 references·2 citing·32 second hop
From the Margins to the Mainstream: Creating Value in Queensland's Music Industry (2004)From the Margins to the Mainstream: Creat…CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS (2002)CLUBS TO COMPANIES: NOTES ON …Popular Music and Youth Culture: Music, Identity, and Place (2001)Popular Music and Youth Cultu…Cultures of Popular Music (2001)Cultures of Popular MusicClubbing : dancing, ecstasy and vitality (1999)Clubbing : dancing, ecstasy a…The clubcultures reader : readings in popular cultural studies (1998)The clubcultures reader : rea…The British Dance Music Industry: A Case Study of Independent Cultural Production (1998)The British Dance Music Indus…Questions of Cultural Identity (1997)Questions of Cultural IdentityPopular music in theory: an introduction (1997)Popular music in theory: an i…Mapping the Beat: Popular Music and Contemporary Theory (1997)Mapping the Beat: Popular Mus…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…The University and Economic Development: The Case of Johns Hopkins University and Baltimore (1994)The University and Economic D…Rave off : politics and deviance in contemporary youth culture (1993)Rave off : politics and devia…Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Producing Pop: Culture and Co…The Hidden Musicians: Music-Making in an English Town. (1990)The Hidden Musicians: Music-M…Common Culture: Symbolic Work At Play In The Everyday Cultures Of The Young (1990)Common Culture: Symbolic Work…Subculture: The Meaning of Style. (1981)Subculture: The Meaning of St…Multi-actor innovation in the music industry: a state of the art review (2018)Multi-actor innovation in the…Creating communities: the use of technology in craft and DIY communities of practice (2014)Creating communities: the use…The Global City (1991)Non-places: Introduction to an anthropology of supermodernity (1996)In the Social Factory? (2008)‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)Looking for work in creative industries policy (2009)Modernity and Self-Identity (2023)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)Secrets in the bedroom: Adolescents' private use of media (1995)Hanging Out, Messing Around, and Geeking Out: Kids Living and Learning with New Media (2009)A Typology of Youth Participation and Empowerment for Child and Adolescent Health Promotion (2010)Culture in Interaction (2003)Reinforcing Spirals: The Mutual Influence of Media Selectivity and Media Effects and Their Impact on Individual Behavior and Social Identity (2007)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)Changing times, changing perspectives: Reconciling ‘transition’ and ‘cultural’ perspectives on youth and young adulthood (2011)Places around us: embodied lay geographies in leisure and tourism (2000)Backpacking experiences (2002)Mutual Learning and Democratic Action in Instrumental Music Education (2003)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)Evolutionary Models of Music: From Sexual Selection to Group Selection (2000)Playing to the Crowd (2019)Negotiating Hegemonic Masculinity: Imaginary Positions and Psycho-Discursive Practices (1999)Telling Identities: In Search of an Analytic Tool for Investigating Learning as a Culturally Shaped Activity (2005)Toward a Tribal Critical Race Theory in Education (2005)‘Insider Research’ in the Study of Youth Cultures (2005)The intimate insider: negotiating the ethics of friendship when doing insider research (2011)
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References

  • 1997Questions of Cultural Identity4,250 cited
  • 1981Subculture: The Meaning of Style.3,479 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1990Common Culture: Symbolic Work At Play In The Everyday Cultures Of The Young711 cited
  • 2002CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS640 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 1999Clubbing : dancing, ecstasy and vitality412 cited
  • 1990The Hidden Musicians: Music-Making in an English Town.387 cited
  • 1997Popular music in theory: an introduction327 cited
  • 2001Popular Music and Youth Culture: Music, Identity, and Place282 cited
  • 2001Cultures of Popular Music241 cited
  • 1993Rave off : politics and deviance in contemporary youth culture241 cited
  • 1998The clubcultures reader : readings in popular cultural studies207 cited
  • 1997Mapping the Beat: Popular Music and Contemporary Theory182 cited
  • 1994The University and Economic Development: The Case of Johns Hopkins University and Baltimore180 cited
  • 1998

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The British Dance Music Industry: A Case Study of Independent Cultural Production
156 cited

Cited by

  • 2018Multi-actor innovation in the music industry: a state of the art review12 cited
  • 2014Creating communities: the use of technology in craft and DIY communities of practice10 cited