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Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs
16 references·3 citing·29 second hop
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this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1974The Anxiety of Influence: A Theory of Poetry2,673 cited
  • 1991Generation X: Tales for an Accelerated Culture714 cited
  • 1990Style and music: theory, history, and ideology488 cited
  • 2005Intertextuality in Western art music275 cited
  • 2004Quotation and cultural meaning in twentieth-century music172 cited
  • 1991Towards a New Poetics of Musical Influence108 cited
  • 2000Intertextuality and Hypertextuality in Recorded Popular Music106 cited
  • 1979All You Need Is Ears63 cited
  • 1985THE PLACE OF INTERTEXTUALITY IN MUSIC STUDIES62 cited
  • 2003The Space Between the Notes55 cited
  • 1989Superior Myths, Dogmatic Allegories: The Resistance to Musical Unity52 cited
  • 2003"Domestication" of Blue Notes in the Beatles' Songs39 cited
  • 1991Syntagmatics and Paradigmatics: Some Implications for the Analysis of Chromaticism in Tonal Music38 cited
  • 1977The Beatles forever27 cited
  • 1993The swing era21 cited

Cited by

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  • 2015What Did Danger Mouse Do? The Grey Album and Musical Composition in Configurable Culture16 cited
  • 2015The Genealogy of a Song: Lady Gaga's Musical Intertexts on The Fame Monster (2009)9 cited
  • 2017“The Pulse Of Life Today”: borrowing in Johanna Beyer’s String Quartet No. 24 cited