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The Cambridge companion to English Renaissance drama
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Cited by

  • 2012Problem Fathers in Shakespeare and Renaissance Drama15 cited
  • 2004Anonymous Milton, or, A Maske Masked15 cited
  • 2006Topicality And Conceptual Blending: Titus Andronicus and The Case of William Hacket15 cited
  • 2005Emergent Shakespeare and the Politics of Protest: 2 Henry VI in Historical Contexts12 cited
  • 2008Elizabethan Play-Boys in the Adult London Companies12 cited
  • 2007Macbeth, the Jacobean Scot, and the Politics of the Union10 cited
  • 2000Caroline Salon Culture and Female Agency: The Countess of Carlisle, Henrietta Maria, and Public Theatre7 cited
  • 2004Reading Nascent Capitalism in Part II of Thomas Heywood's If You Know Not Me, You Know Nobody7 cited
  • 1995Rape, rap, rupture, rapture: R‐rated futures on the global market7 cited
  • 2005Authorship, Indebtedness, and the Children of the King's Revels5 cited
  • 2009"Sumptuously Re-edified": The Reformation of Sacred Space in Titus Andronicus4 cited
  • 2004Die Frühe Neuzeit: Von Morus BIS Milton3 cited
  • 2014The Admiral’s Men, Shakespeare, and the Lost Arthurian Plays of Elizabethan England2 cited

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