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Conventional Wisdom: The Content of Musical Form
0 references·16 citing·54 second hop
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  • 2001Theorizing Musical Meaning244 cited
  • 2013Action and Agency Revisited235 cited
  • 2011The Oxford Handbook of The American Musical139 cited
  • 2013The End(s) of Genre100 cited
  • 2004Chopin's Fourth Ballade as Musical Narrative99 cited
  • 2012Introduction: Music Among the Historians91 cited
  • 2007Creativity, identity and healing: participants' accounts of music therapy in cancer care85 cited
  • 2008Music as Discourse79 cited
  • 2011Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg73 cited
  • 2006Musical Structure, Performance and Meaning: The Case of a Stick-Dance from Nepal55 cited
  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism52 cited
  • 2009Music After All49 cited
  • 2006Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's 'Fremde Szenen' I-III and Related Scores44 cited
  • 2012Musical Styles and Song Conventions43 cited
  • 2014HIP-HOP HABITUS v.2.035 cited
  • 2012

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Rap, rhythm and recognition: Lyrical practices and the politics of voice on a community music project for young people experiencing challenging circumstances
34 cited