Some Observations on Methods for Identifying Proteins in Paint Media

Peter Lloyd Jones

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Cultural Heritage Materials Analysis Conservation Techniques and Studies Building materials and conservation

Abstract

MANY methods for the identification of artists' pigment are available, including a variety of physical techniques such as X-ray diffraction [i] and the electron probe [2] to supplement conventional chemical microanalysis [3]. Rapid identification of pigments and dyestuffs from paintings is a commonplace in many conservation laboratories. Unfortunately this is by no means the case as far as identification of paint media is concerned. No general microanalytic technique exists, and most of the specific tests which have been suggested are uncertain in operation and difficult to interpret. Moreover many methods (including some quoted repeatedly) have not been subjected to adequate scrutiny in conditions which are relevant to the con-

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References

1947Qualitative Analysis by Spot Tests 1956Cross-Sections and Chemical Analysis of Paint Samples 1954Calcium Sulphate Minerals in the Grounds of Italian Paintings

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2016Species identification of ancient leather objects by the use of the enzyme-linked immunosorbent assay 2014Detection of proteinaceous binders in ancient Chinese textiles by enzyme-linked immunosorbent assay 1998Analysis of pastel and chalk materials 2012Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry 1994A Study of the Materials in the Mural Paintings at the 'Corral del Carbon' in Granada, Spain 2016Identification of Proteinaceous Binders in Ancient Tripitaka by the Use of an Enzyme-linked Immunosorbent Assay

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