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Some Observations on Methods for Identifying Proteins in Paint Media
3 references·6 citing·32 second hop
Some Observations on Methods for Identifying Proteins in Paint Media (1962)Some Observations on Methods for Identify…Cross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…Calcium Sulphate Minerals in the Grounds of Italian Paintings (1954)Calcium Sulphate Minerals in …Qualitative Analysis by Spot Tests (1947)Qualitative Analysis by Spot …Species identification of ancient leather objects by the use of the enzyme-linked immunosorbent assay (2016)Species identification of anc…Identification of Proteinaceous Binders in Ancient Tripitaka by the Use of an Enzyme-linked Immunosorbent Assay (2016)Identification of Proteinaceo…Detection of proteinaceous binders in ancient Chinese textiles by enzyme-linked immunosorbent assay (2014)Detection of proteinaceous bi…Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry (2012)Proteinaceous binders identif…Analysis of pastel and chalk materials (1998)Analysis of pastel and chalk …A Study of the Materials in the Mural Paintings at the 'Corral del Carbon' in Granada, Spain (1994)A Study of the Materials in t…The Organic Chemistry of Museum Objects (1988)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Painting Materials: A Short Encyclopedia (2011)The chemistry of pastels: Investigation of the organic materials in a drawing by Umberto Boccioni (2019)Tensor decomposition for painting analysis. Part 1: pigment characterization (2023)MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS (1968)Conservation of Wall Paintings (1985)Analytical contributions to the evaluation of painting authenticity from Princely church of Curtea de Arges (2004)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media (2009)Immunodetection of Proteins in Ancient Paint Media (2010)Development of an Enzyme-Linked Immunosorbent Assay and Gold-Labelled Immunochromatographic Strip Assay for the Detection of Ancient Wool (2018)Technical Studies in the Field of the Fine Arts (1977)Protein Determination in Polychromed Stone Sculptures, Stuccoes and Gesso Grounds (1994)Insights into the varnishes of historical musical instruments using synchrotron micro-analytical methods (2008)Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations (2011)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Sidestepping the challenge of casein quantification in ancient paintings by dot-blot immunoassay (2017)The influence of colouring materials and artificial ageing on the occurrence of nonspecific peptides in protein binders (2022)The Use of Immunofluorescence Microscopy and Enzyme-Linked Immunosorbent Assayas Complementary Techniques for Protein Identification in Artists' Materials (2006)Examination of some pigments, grounds and media from Egyptian cartonnage fragments in the Petrie Museum, University College London (2008)Characterization of a Mahamayuri Vidyarajni Sutra excavated in Lu’an, China (2019)Conservation of Leather and Related Materials (2006)Tannins characterization in historic leathers by complementary analytical techniques ATR-FTIR, UV-Vis and chemical tests (2012)Application of ELISA in Cultural Heritage: Recent Advances and Challenges (2024)VERMILION AND CINNABAR (1972)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Mikromethoden zur Gem�ldeuntersuchung (1950)I. Azurite and Blue Verditer (1966)
this work references cited by second hop

References

  • 1947Qualitative Analysis by Spot Tests366 cited
  • 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
  • 1954Calcium Sulphate Minerals in the Grounds of Italian Paintings54 cited

Cited by

  • 2016Species identification of ancient leather objects by the use of the enzyme-linked immunosorbent assay22 cited
  • 2014Detection of proteinaceous binders in ancient Chinese textiles by enzyme-linked immunosorbent assay16 cited
  • 1998Analysis of pastel and chalk materials14 cited
  • 2012Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry14 cited
  • 1994A Study of the Materials in the Mural Paintings at the 'Corral del Carbon' in Granada, Spain12 cited
  • 2016Identification of Proteinaceous Binders in Ancient Tripitaka by the Use of an Enzyme-linked Immunosorbent Assay11 cited

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