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Remaking and the Film Trilogy: Whit Stillman's Authorial Triptych
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Remaking and the Film Trilogy: Whit Stillman's Authorial Triptych (2008)Remaking and the Film Trilogy: Whit Still…La Camera-Crayola: Authorship Comes of Age in the Cinema of Wes Anderson (2007)La Camera-Crayola: Authorship…The Devil's Rejects (2006)The Devil's RejectsEuropean Cinema : Face to Face with Hollywood (2005)European Cinema : Face to Fac…Irony, nihilism and the new American 'smart' film (2002)Irony, nihilism and the new A…Dead ringers: the remake in theory and practice (2002)Dead ringers: the remake in t…Authorship and Film (2002)Authorship and FilmPlay it again, Sam: retakes on remakes (1998)Play it again, Sam: retakes o…The Scorsese connection (1995)The Scorsese connectionA cinema without walls: movies and culture after Vietnam (1992)A cinema without walls: movie…Make It Again, Sam: A Survey of Movie Remakes (1975)Make It Again, Sam: A Survey …Signs and Meaning in the Cinema (1971)Image-Music-Text (1977)‘I'm just a character in your film’: acting and performance from autism to Zissou (2011)‘Same old song’: on audio-visual style in the films of Wes Anderson (2011)15. The Death of the Author (2017)Recycled Culture in Contemporary Art and Film (2003)Critical Discourse and the Cultural Consecration of American Films (2004)Star Wars and the History of Transmedia Storytelling (2021)A ‘Manual on Masculinity’? The Consumption and Use of Mediated Images of Masculinity among Teenage Boys in Ireland (2005)Wes Anderson, tone and the quirky sensibility (2011)Formen und Funktionen von Genrebenennungen (2020)Film festival research from an organizational studies perspective (2010)Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports? (2014)Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam (2014)The Price of Heaven: Remaking Politics in All that Heaven Allows , Ali: Fear Eats the Soul , and Far from Heaven (2008)Adaptation and Intertextuality, or, What Isn't an Adaptation, and What does it Matter? (2012)Film remakes, the black sheep of translation (2014)A Pygmalion Tale Retold: Remaking La Femme Nikita (2001)Cultural Borrowings:: Appropriation, Reworking, Transformation (2009)Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking (2012)Geographies of Desire: Postsocial Urban Space and Historical Revision in the Films of Martin Scorsese (2010)Hollywood's New Yorker: The Making of Martin Scorsese (2013)Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang (2007)Film Festivals: Culture, People, and Power on the Global Screen (2011)Shakespeare and World Cinema (2012)
this work references cited by second hop

References

  • 1992A cinema without walls: movies and culture after Vietnam267 cited
  • 2005European Cinema : Face to Face with Hollywood201 cited
  • 2002Irony, nihilism and the new American 'smart' film121 cited
  • 1998Play it again, Sam: retakes on remakes67 cited
  • 1975Make It Again, Sam: A Survey of Movie Remakes58 cited
  • 2007La Camera-Crayola: Authorship Comes of Age in the Cinema of Wes Anderson56 cited
  • 2002Dead ringers: the remake in theory and practice50 cited
  • 2002Authorship and Film43 cited
  • 1995The Scorsese connection14 cited
  • 2006The Devil's Rejects7 cited

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