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Cited by

• 2012Vocal performance in the seventeenth century56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2008Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century Revivals44 cited
• 2001Beethoven reception: the symphonic tradition39 cited
• 1998Not "Which" Tones? The Crux of Beethoven's Ninth30 cited
• 2018“Attractor Tempi” in Brahms’s Symphony No. 2/III18 cited
• 2012The Accessibility of Music: Participation, Reception, and Contact17 cited
• 2012The performer and the composer10 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2010Becoming at a Deeper Level: Divisional Overlap in Sonata Forms from the Late Nineteenth Century5 cited
• 2012Vocal performance in the Renaissance3 cited