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Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation.
16 references·0 citing·34 second hop
Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation. (2012)Demystifying Galina Ustvolskaya: Critical…Adorno, Theodor W. (2006)Adorno, Theodor W.The sonic self: musical subjectivity and signification (2001)The sonic self: musical subje…Musical MeaningToward a Critical History (2001)Musical MeaningToward a Criti…Musical performance: a philosophical study (1999)Musical performance: a philos…Defining Russia Musically (1997)Defining Russia MusicallyA Theory of Musical Semiotics (1994)A Theory of Musical SemioticsThe Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and beyond (1993)The Total Art of Stalinism: A…Said, Edward W. (1993)Said, Edward W.The Limits of Interpretation (1991)The Limits of InterpretationPerformance Art: From Futurism to the Present (1988)Performance Art: From Futuris…The Aesthetics of Music (1981)The Aesthetics of MusicPhilosophy of Modern Music (1976)Philosophy of Modern MusicExperimental Music: Cage and Beyond (1975)Experimental Music: Cage and …The Structure of Atonal Music (1973)The Structure of Atonal MusicPoetics of Music in the Form of Six Lessons (1970)Poetics of Music in the Form …Mimesis: The Representation of Reality in Western Literature (1953)Mimesis: The Representation o…Dialektik der Aufklärung (1949)The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950. (1974)Adorno's Aesthetics of Music (1993)Contextual Factors and the Extreme Right Vote in Western Europe, 1980–2002 (2009)Personality and Political Attitudes: Relationships across Issue Domains and Political Contexts (2010)Hierarchy: The Economics of Managing (2016)The principles of psychology, Vol I. (1890)Mind, Language and Reality (1975)Distinction. A Social Critique of the Judgement of Taste (1985)The Dynamics of Organizational Identity (2002)Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance (2003)Long-term musical group interaction has a positive influence on empathy in children (2012)Ends, Means, and Galumphing: Some Leitmotifs of Play1 (1973)Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity (1995)Popular Culture as Oppositional Culture: Rap as Resistance (1997)After Adorno : rethinking music sociology (2003)The Total Work of Art in European Modernism (2011)Performing theory/embodied writing (1999)The Balanced Scorecard: what is the score? A rhetorical analysis of the Balanced Scorecard (2003)The networked practice of online political satire in China: Between ritual and resistance (2015)Language and Agency (2001)Multimodality, resemiotization: extending the analysis of discourse as multi-semiotic practice (2003)Playful Identities, or the Ludification of Culture (2005)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Law: A Map of Misreading. Toward a Postmodern Conception of Law (1987)Music in Everyday Life (2000)Methodology of the Oppressed (2010)Music—Drastic or Gnostic? (2004)The Cambridge History of Music Criticism (2019)Orientalism and the Postcolonial Predicament (1993)Ethnicity: Anthropological Constructions (2003)9. The Generation Of Postmemory (2008)
this work references cited by second hop

References

  • 1953Mimesis: The Representation of Reality in Western Literature1,194 cited
  • 2006Adorno, Theodor W.663 cited
  • 1988Performance Art: From Futurism to the Present593 cited
  • 1993Said, Edward W.591 cited
  • 1973The Structure of Atonal Music506 cited
  • 1991The Limits of Interpretation497 cited
  • 1970Poetics of Music in the Form of Six Lessons410 cited
  • 1981The Aesthetics of Music401 cited
  • 1997Defining Russia Musically358 cited
  • 1976Philosophy of Modern Music318 cited
  • 1975Experimental Music: Cage and Beyond317 cited
  • 1993The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and beyond308 cited
  • 2001Musical MeaningToward a Critical History282 cited
  • 1994A Theory of Musical Semiotics266 cited
  • 1999Musical performance: a philosophical study258 cited
  • 2001The sonic self: musical subjectivity and signification211 cited

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