SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Revival and Reinvention in India's Kathak Dance
13 references·2 citing·36 second hop
Revival and Reinvention in India's Kathak Dance (2010)Revival and Reinvention in India's Kathak…The Location of Culture (2012)The Location of CulturePostcolonial Resistance: Culture, Liberation, and Transformation (2008)Postcolonial Resistance: Cult…The Reinvention of Odissi Classical Dance as a Temple Ritual (2007)The Reinvention of Odissi Cla…Gurudev's drumming legacy: music, theory and nationalism in the Mrdang aur Tabla Vadanpaddhati of Gurudev Patwardhan (2007)Gurudev's drumming legacy: mu…Two men and music : nationalism in the making of an Indian classical tradition (2005)Two men and music : nationali…Rukmini Devi Arundale, 1904-1986 : a visionary architect of Indian culture and the performing arts (2005)Rukmini Devi Arundale, 1904-1…Postcolonial Theory: A Critical Introduction (2000)Postcolonial Theory: A Critic…Music Revivals: Towards a General Theory (1999)Music Revivals: Towards a Gen…Rewriting the Script for South Indian Dance (1997)Rewriting the Script for Sout…Women in Modern India (1996)Women in Modern IndiaIndian Music as a Cultural System (1985)Indian Music as a Cultural Sy…Traditions of Indian classical dance (1979)Traditions of Indian classica…The Tribes and Castes of the North-Western Provinces and Oudh (1898)The Tribes and Castes of the …The Courtesan Project and the Tawa’ifs’ Cultural Commons (2021)The Courtesan Project and the…‘You are not invisible’: a qualitative study examining ritual, pedagogical relationships, and student visibility in kathak dance (2020)‘You are not invisible’: a qu…Contentious Traditions: The Debate on Sati in Colonial India (1987)Can the Subaltern Speak? (2003)Women and the State in Modern Indonesia (2004)The Modern Girl Around the World (2008)The Hindi Public Sphere 1920–1940 (2009)The early music revival: a history (1989)The study of folk music in the modern world (1989)Repatriation, Revival and Transmission: The Politics of a Sámi Musical Heritage (2012)Rethinking Safeguarding: Objections and Responses to Protecting and Promoting Endangered Musical Heritage (2012)Connecting Indigenous Song Archives to Kin, Country and Language (2019)The Tao of Physics: An Exploration of the Parallels between Modern Physics and Eastern Mysticism (1978)Between Theater and Anthropology (1985)Gender and the Politics of Voice: Colonial Modernity and Classical Music in South India (2003)The Sanskritized Body (2004)The Musical Gift (2018)Rethinking authenticity in tourism experience (1999)Discourse Analysis as Theory and Method (2002)The New Mobilities Paradigm (2006)Action, Criticism and Theory for Music Education (2004)In the Absence of Reliable Ghosts: Sexuality, Historiography, South Asia (2014)Tellings and Texts (2015)Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home (2004)A postcolonial and anti-colonial reading of ‘African’ leadership and management in organization studies: tensions, contradictions and possibilities (2011)Messing with gender in feminist political ecology (2012)Chapter 11 Modes of Theorizing in Iranian Khorasan (2009)Chapter 7 Music in Urban Space (2009)Layers and Elasticity in the Rhythm of Noh Songs (2019)Classification and fantasy in the photographic construction of caste and tribe (1990)Inventing Village Tradition: The late 19th Century Origins of the North Indian ‘Jajmani System’ (1993)Kinship institutions and sex ratios in India (2010)Tabla Tuning on the Workshop Stage: Toward a Materialist Musical Ethnography (2014)Performance Practice in the Music of Steve Reich (2016)The Cambridge Companion to Rhythm (2020)From ‘no’ to ‘yes’: postcolonial perspectives on resistance to neoliberal higher education (2012)Breaking the Myth of Indian Call Centers: A Postcolonial Analysis of Resistance (2013)Homi K. Bhabha's Third Space Theory and Cultural Identity Today: A Critical Review (2022)
this work references cited by second hop

References

  • 2012The Location of Culture17,820 cited
  • 2000Postcolonial Theory: A Critical Introduction907 cited
  • 1996Women in Modern India424 cited
  • 1997Rewriting the Script for South Indian Dance196 cited
  • 1999Music Revivals: Towards a General Theory186 cited
  • 2005Two men and music : nationalism in the making of an Indian classical tradition104 cited
  • 1898The Tribes and Castes of the North-Western Provinces and Oudh100 cited
  • 2008Postcolonial Resistance: Culture, Liberation, and Transformation86 cited
  • 2007Gurudev's drumming legacy: music, theory and nationalism in the Mrdang aur Tabla Vadanpaddhati of Gurudev Patwardhan59 cited
  • 1985Indian Music as a Cultural System56 cited
  • 1979Traditions of Indian classical dance41 cited
  • 2005Rukmini Devi Arundale, 1904-1986 : a visionary architect of Indian culture and the performing arts39 cited
  • 2007The Reinvention of Odissi Classical Dance as a Temple Ritual13 cited

Cited by

  • 2021The Courtesan Project and the Tawa’ifs’ Cultural Commons7 cited
  • 2020‘You are not invisible’: a qualitative study examining ritual, pedagogical relationships, and student visibility in kathak dance

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

6 cited