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ARTISTS' CAREERS AND THEIR LABOR MARKETS
16 references·16 citing·42 second hopsampled
ARTISTS' CAREERS AND THEIR LABOR MARKETS (2006)ARTISTS' CAREERS AND THEIR LABOR MARKETSStardom and Talent (2016)Stardom and TalentThe Economics of Superstars (2009)The Economics of SuperstarsDon't give up your day job : an economic study of professional artists in Australia (2003)Don't give up your day job : …Why Are Artists Poor? (2002)Why Are Artists Poor?The Economics of Art and Culture (2001)The Economics of Art and Cult…Artists as workers: Theoretical and methodological challenges (2001)Artists as workers: Theoretic…Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians (2000)Orchestrating Impartiality: T…Age and the Quality of Work: The Case of Modern American Painters (2000)Age and the Quality of Work: …ARTISTIC LABOR MARKETS AND CAREERS (1999)ARTISTIC LABOR MARKETS AND CA…WOMEN AND MEN IN FILM (1996)WOMEN AND MEN IN FILMThe Winner-Take-All Society (1996)The Winner-Take-All SocietyThe Production and Consumption of the Arts: A View of Cultural Economics (1994)The Production and Consumptio…A Work-Preference Model of Artist Behaviour (1994)A Work-Preference Model of Ar…The Performing Arts: The Economic Dilemma (1973)The Performing Arts: The Econ…Education, Income, and Ability (1972)Education, Income, and AbilityPerforming Arts: The Economic Dilemma (1967)Performing Arts: The Economic…Who is an artist? Heterogeneity and professionalism among visual artists (2021)Who is an artist? Heterogenei…What Makes an Artrepreneur? (2021)What Makes an Artrepreneur?What makes an artist? The evolution and clustering of creative activity in the US since 1850 (2020)What makes an artist? The evo…Art and gender: market bias or selection bias? (2019)Art and gender: market bias o…Personal branding of artists and art-designers: necessity or desire? (2018)Personal branding of artists …Public Perceptions of Artists in Communities: A Sign of Changing Times (2017)Public Perceptions of Artists…Framing the work: the composition of value in the visual arts (2016)Framing the work: the composi…Artistic education matters: survival in the arts occupations (2016)Artistic education matters: s…Global aspirations and local talent: the development of creative higher education in Singapore (2015)Global aspirations and local …Happiness in the arts—International evidence on artists’ job satisfaction (2013)Happiness in the arts—Interna…The happy artist? An empirical application of the work-preference model (2011)The happy artist? An empirica…Management skills for artists: ‘learning by doing’? (2011)Management skills for artists…Les artistes en quantités. Ce que sociologues et économistes s'apprennent sur le travail et les professions artistiques (2010)Les artistes en quantités. 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this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 2000Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians1,758 cited
  • 2009The Economics of Superstars1,684 cited
  • 1996The Winner-Take-All Society1,165 cited
  • 1999ARTISTIC LABOR MARKETS AND CAREERS803 cited
  • 1994The Production and Consumption of the Arts: A View of Cultural Economics660 cited
  • 1972Education, Income, and Ability544 cited
  • 1973The Performing Arts: The Economic Dilemma398 cited
  • 2016Stardom and Talent389 cited
  • 2001The Economics of Art and Culture378 cited
  • 1967Performing Arts: The Economic Dilemma211 cited
  • 2002Why Are Artists Poor?209 cited
  • 2000Age and the Quality of Work: The Case of Modern American Painters162 cited
  • 1994A Work-Preference Model of Artist Behaviour159 cited
  • 2001Artists as workers: Theoretical and methodological challenges155 cited
  • 1996WOMEN AND MEN IN FILM146 cited
  • 2003Don't give up your day job : an economic study of professional artists in Australia145 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2006ARTISTIC LABOR MARKETS: CONTINGENT WORK, EXCESS SUPPLY AND OCCUPATIONAL RISK MANAGEMENT *73 cited
  • 2013Happiness in the arts—International evidence on artists’ job satisfaction63 cited
  • 2016Artistic education matters: survival in the arts occupations61 cited
  • 2018Personal branding of artists and art-designers: necessity or desire?54 cited
  • 2019Art and gender: market bias or selection bias?49 cited
  • 2016Framing the work: the composition of value in the visual arts43 cited
  • 2007Preferred work patterns of creative artists40 cited
  • 2011Management skills for artists: ‘learning by doing’?37 cited
  • 2017Public Perceptions of Artists in Communities: A Sign of Changing Times32 cited
  • 2020What makes an artist? The evolution and clustering of creative activity in the US since 185031 cited
  • 2007Culture and Urban Revitalization: A Harvest Document30 cited
  • 2015Global aspirations and local talent: the development of creative higher education in Singapore29 cited
  • 2011The happy artist? An empirical application of the work-preference model29 cited
  • 2021What Makes an Artrepreneur?28 cited
  • 2021Who is an artist? Heterogeneity and professionalism among visual artists26 cited
  • 2010Les artistes en quantités. Ce que sociologues et économistes s'apprennent sur le travail et les professions artistiques26 cited