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Cited by

• 2004Hugo Riemann and the birth of modern musical thought84 cited
• 2002Dualist tonal space and transformation in nineteenth-century musical thought62 cited
• 2002Chromatic Transformations in Nineteenth-Century Music51 cited
• 1996From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century50 cited
• 2002Nineteenth-century harmonic theory: the Austro-German legacy47 cited
• 2018Chord Context and Harmonic Function in Tonal Music46 cited
• 2009The Tristan Chord Resolved39 cited
• 2019Stylistic information in pitch-class distributions30 cited
• 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
• 2004A Theory of Motives for Prokofiev's Music27 cited
• 2011Sensitive Interval Property for Scales as Words in the Free Group F224 cited
• 2017What Are Scale-degree Qualia?24 cited
• 2020Continuous Question-Answer Pairs22 cited
• 2020The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content21 cited
• 2023An Eightfold Taxonomy of Harmonic Progressions, and Its Application to Triads Related by Major Third and Their Significance in Recent Screen Music