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Jamming at Le Boeuf: Jazz and the Paris Avant-Garde
4 references·4 citing·28 second hop
Jamming at Le Boeuf: Jazz and the Paris Avant-Garde (1990)Jamming at Le Boeuf: Jazz and the Paris A…The Predicament of Culture (1988)The Predicament of CultureThe music of Stravinsky (1988)The music of StravinskyAfter the Great Divide (1986)After the Great DivideJazz: Its Evolution and Essence (1956)Jazz: Its Evolution and Essen…Flirting with the vernacular: America in Europe, 1900–45 (2004)Flirting with the vernacular:…Brazilian Sources in Milhaud's Le Boeuf sur le Toit: A Discussion and a Musical Analysis (2002)Brazilian Sources in Milhaud'…Jazz Fractures: F. Scott Fitzgerald and Epochal Representation (2000)Jazz Fractures: F. Scott Fitz…“Moldy Figs” and Modernists (1995)“Moldy Figs” and ModernistsEarly Jazz: Its Roots and Musical Development (1970)Grove's Dictionary of Music and Musicians (1970)Heitor Villa-Lobos: the search for Brazil's musical soul (1995)A cena musical paulistana: teatro musicado e canção popular na cidade de São Paulo (1914-1934) (2012)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Democracy and Political Theory. (1990)Fitzgerald's “Riotous Mystery”:This Side of Paradiseas Musical Theater (2008)The Literary Soundtrack: Or, F. Scott Fitzgerald's Heard and Unheard Melodies (2009)Gatsby’s Ghost: Post-Traumatic Memory and National Literary Tradition in Joseph O’Neill’s Netherland (2013)Nation and Narration (2013)Mass Culture as Woman: Modernism’s Other (1986)Constructing the Jazz Tradition: Jazz Historiography (1991)The Weimar Republic: The Crisis of Classical Modernity (1992)Jazz Criticism: Its Development and Ideologies (1991)Careers in the right beat: US jazz musicians' typical and non‐typical trajectories (2007)Authenticity as authenticating—the case of New Orleans jazz revivalism (2013)Out of Notes: Signification, Interpretation, and the Problem of Miles Davis (1993)The Cambridge History of American Music (1998)The Cambridge History of Music Criticism (2019)Does Music Theory Need Musicology? (1992)Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto (1999)The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare” (2008)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)The Extended Case Method (1998)Translation, Rewriting, and the Manipulation of Literary Fame (2016)Postmodern Education: Politics, Culture, and Social Criticism (1991)Knowledge in a Social World (1999)Past Postmodernism? Reflections and Tentative Directions (1999)
this work references cited by second hop

References

  • 1986After the Great Divide1,766 cited
  • 1988The Predicament of Culture951 cited
  • 1956Jazz: Its Evolution and Essence258 cited
  • 1988The music of Stravinsky33 cited

Cited by

  • 2000Jazz Fractures: F. Scott Fitzgerald and Epochal Representation35 cited
  • 1995“Moldy Figs” and Modernists31 cited
  • 2002Brazilian Sources in Milhaud's Le Boeuf sur le Toit: A Discussion and a Musical Analysis9 cited
  • 2004Flirting with the vernacular: America in Europe, 1900–454 cited

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