SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Ballad of Sexual Dependency
0 references·15 citing·40 second hop
The Ballad of Sexual Dependency (1987)The Ballad of Sexual DependencyProjection to pixel: the art of digital translations of 35MM slideshows in cultural institutions (2021)Projection to pixel: the art …Reviewing the Gaze (2019)Reviewing the GazeNan Goldin’s the Ballad of Sexual Dependency (2018)Nan Goldin’s the Ballad of Se…‘ … and death I think is no parenthesis’: the aged, the ill and the dying in contemporary photographic practice (2015)‘ … and death I think is no p…The Haptic Eye: On Nan Goldin’s Scopophilia (2014)The Haptic Eye: On Nan Goldin…Seeing things: Violence, voyeurism and the camera (2014)Seeing things: Violence, voye…El arte y la construcción del sujeto: una reflexión con Nan Goldin acerca de las narrativas familiares (2014)El arte y la construcción del…This fact which is not one: differential poetics in transatlantic american modernism (2012)This fact which is not one: d…An intimate mode of looking: Francesca Woodman's photographs (2010)An intimate mode of looking: …What's the Point of an Index? or, Faking Photographs (2008)What's the Point of an Index?…STRUCTURAL FILM: (2008)STRUCTURAL FILM:Testimonies in Light: Nan Goldin: Devil's Playground (2002)Testimonies in Light: Nan Gol…Drug photography and harm reduction: reading John Ranard (2002)Drug photography and harm red…PHOTOGRAPHY AND THE EXPOSURE OF COMMUNITY: Sharing nan goldin and jean-luc nancy (2001)PHOTOGRAPHY AND THE EXPOSURE …Revelations and Rage (2000)Revelations and RageArchaeology of Knowledge (1970)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Gender Trouble: Feminism and the Subversion of Identity (1991)Photography at the Dock: Essays on Photographic History, Institutions and Practices (1992)The Passionate Camera: Photography and Bodies of Desire (1998)Sex Objects: Art and the Dialectics of Desire (2007)Spectral—Fragile—(Un)homely: The Haunting Presence of Francesca Woodman in the House and Space2 Series (2017)Image-Music-Text (1977)Reading images: the grammar of visual design (1996)Representation: Cultural representations and signifying practices. (1997)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Camera Lucida: Reflections on Photography (2001)Vigilar y castigar (1978)Libro de los pasajes (2005)Cápsulas de arte: memoria frente al Alzheimer (2020)Fotografía y contracultura en Estados Unidos y España: orígenes e institucionalización. Particularidades en la obra de Alberto García-Alix (2020)La voz del lugar, el lugar de la voz: cartografías ciudadanas (2020)Inquiries into human faculty and its development. (1883)The Differend: Phrases in Dispute (1983)Archive Fever: A Freudian Impression (1995)Punishment in the frame: Rethinking the history and sociology of art (2017)Dignity in the digital age: Broadcasting the Oscar Pistorius trial (2018)Decoding the Crime Scene Photograph: Seeing and Narrating the Death of a Gangster (2019)Psychopathia Sexualis. (1926)The women's mental health research agenda: Violence against women. (1990)Body art/performing the subject (1998)Seeing and Reading Incest: A Study of Debbie Drechsler's Daddy's Girl (2004)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Visual Pleasure and Narrative Cinema (1975)Difference and repetition (1994)Bringing Dinosaurs Back to Life: Exhibiting Prehistory at the American Museum of Natural History (2012)Seeing the Unseen in Indonesia's Public Sphere: Photographic Appearances of a Spirit Queen (2013)Rethinking Photojournalism: The Changing Work Practices and Professionalism of Photojournalists in the Digital Age (2014)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Warhol’s 1960s’ Films, Amphetamine, and Queer Materiality (2014)Afro-Electric Counterpoint (2019)That’s All It Does (2019)Reinventing the Medium (1999)Devices of Wonder: From the World in a Box to Images on a Screen (2002)Recoding the Museum: Digital Heritage and the Technologies of Change (2007)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2008What's the Point of an Index? or, Faking Photographs155 cited
  • 2014Seeing things: Violence, voyeurism and the camera80 cited
  • 2008STRUCTURAL FILM:25 cited
  • 2001PHOTOGRAPHY AND THE EXPOSURE OF COMMUNITY: Sharing nan goldin and jean-luc nancy24 cited
  • 2012This fact which is not one: differential poetics in transatlantic american modernism18 cited
  • 2002Drug photography and harm reduction: reading John Ranard17 cited
  • 2014El arte y la construcción del sujeto: una reflexión con Nan Goldin acerca de las narrativas familiares13 cited
  • 2000Revelations and Rage7 cited
  • 2021Projection to pixel: the art of digital translations of 35MM slideshows in cultural institutions4 cited
  • 2010An intimate mode of looking: Francesca Woodman's photographs4 cited
  • 2002Testimonies in Light: Nan Goldin: Devil's Playground4 cited
  • 2015‘ … and death I think is no parenthesis’: the aged, the ill and the dying in contemporary photographic practice2 cited
  • 2018Nan Goldin’s the Ballad of Sexual Dependency2 cited
  • 2019Reviewing the Gaze2 cited
  • 2014The Haptic Eye: On Nan Goldin’s Scopophilia

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

1 cited