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Painting, Power, and Patronage: The Rise of the Professional Artist in the Italian Renaissance
0 references·14 citing·20 second hop
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  • 2002From the state of princes to the person of the state48 cited
  • 2002Classical liberty, Renaissance translation and the English civil war32 cited
  • 1998Yorkist and Early Tudor England31 cited
  • 1998Scotland: 1406–151330 cited
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  • 1998Representation (Since the Thirteenth Century)24 cited
  • 2002Introduction: The reality of the Renaissance21 cited
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  • 1998The European Nobility18 cited
  • 2016Blockchain-based Crowdfunding: what impact on artistic production and art consumption?17 cited
  • 2018Accumulated and Accumulable Cultures: The Case of Public and Private Initiatives toward K-Pop8 cited
  • 1997Art and Appropriability in Renaissance Italy and The Netherlands in the Seventeenth Century: The Role of the Academy7 cited
  • 2007Aesthetic Uncertainty: The New Canon?6 cited
  • 2018Islam, culture and authoritative voices in the UK and the US3 cited

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