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Allgemeine Geschichte der Musik
0 references·16 citing·58 second hopsampled
Allgemeine Geschichte der Musik (1967)Allgemeine Geschichte der MusikSchoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (2014)Schoenberg's Twelve-Tone Musi…TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)TRAZOM'S WIT: COMMUNICATIVE S…THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING (2013)THE MODERN INVENTION OF THE ‘…Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography (2013)Heilige Trias, Stildualismus,…Globale Horizonte europäischer Kunstmusik, 1860–1930 (2012)Globale Horizonte europäische…Bach's Feet: The Organ Pedals in European Culture (2012)Bach's Feet: The Organ Pedals…ABSENT CADENCES (2012)ABSENT CADENCESHugo Riemann and the birth of modern musical thought (2004)Hugo Riemann and the birth of…The characteristic symphony in the age of Haydn and Beethoven (2003)The characteristic symphony i…Music and rhetoric (2002)Music and rhetoricRichard Wagners Das Judentum in der Musik (2000)Richard Wagners Das Judentum …Fétis's "Tonality" as a Metaphysical Principle: Hypothesis for a New Science (1991)Fétis's "Tonality" as a Metap…Haydn's Theater Symphonies (1990)Haydn's Theater SymphoniesTraditional Music and Cultural Identity: Persistent Paradigm in the History of Ethnomusicology (1988)Traditional Music and Cultura…Gradus ad Parnassum: Beethoven, Schubert, and the Romance of Counterpoint (1987)Gradus ad Parnassum: Beethove…The New Modulation of the 1770s: C. P. E. Bach in Theory, Criticism, and Practice (1985)The New Modulation of the 177…The Structure of Scientific Revolutions (1963)Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994)Landscape and memory (1995)Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music (2012)The Invention of Latin American Music (2020)Source Readings in Music History (1950): Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981)The Art of Strict Musical Composition (1984)The Criticism of Analysis and the Analysis of Criticism (1992)Studying with Sechter: Newly Recovered Reminiscences about Schubert by his Forgotten Friend, the Composer Joseph Lanz (2007)Musical Causality and Schubert’s Piano Sonata in A Major, D 959, First Movement (2016)The Dialogic Imagination: Four Essays (1982)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)How Societies Remember (1989)Instrumental Arias or Sonic Tableaux: 'Voice' in Haydn's String Quartets Opp. 9 and 17 (2008)The Picturesque Oratorio: Haydn's Art in Nature's Clothing (2012)The social worlds of nineteenth-century chamber music: composers, consumers, communities (2015)The journal of the Royal Asiatic society (1888)Black Athena: The Afroasiatic Roots of Classical Civilization (1989)Between the Global, the National and the Local in Japan: Two Musical Pioneers from Sendai (2017)Cultural Brokers and the Making of Glocal Soundscapes, 1880s to 1930s (2017)Cultural Brokers in Uniform: The Global Rise of Military Musicians and Their Music (2017)A General History of Music, from the Earliest Ages to the Present Period (2018)Classic Music: Expression, Form, and Style (1981)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)The Half Cadence and Other Such Slippery Events (2014)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Reading for the plot : design and intention in narrative (1984)Listening in Paris (1995)Stop the Press? The Changing Media of Music Criticism (2019)Writing about Popular Music (2019)The Beethoven Syndrome (2020)The Silent Language (1959)The Interpretation of Cultures (1974)The Heartz: A Galant Schema from Corelli to Mozart (2014)Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form‐Functional Theory (2016)The Interpretation of Cultures (2017)Gjerdingen’s Schemata Reexamined (2018)The descent of man and selection in relation to sex (1907)Time and the Other: How Anthropology Makes Its Object (1983)The Sound of Evolution (2003)Tradition, authenticity and context: the case for a dynamic approach (2006)How to Protect Traditional Folk Music? Some Reflections upon Traditional Knowledge and Copyright Law (2017)The Structure of Scientific Revolutions (2017)Rhetoric in the European tradition (1990)Handbook of Literary Rhetoric (1998)A New History of Classical Rhetoric (2009)Renaissance Polyphony (2020)The affective properties of keys in instrumental music from the late nineteenth and early twentieth centuries (2023)Embodied Expression in Popular Music (2024)Aesthetics: Lectures on Fine Art (1835)The World as Will and Representation. (1959)‘Out of the Air’: Judith Weir’s Emergence in 1970s Britain, or Interpreting Creative Self-Censorship (2019)Schoenberg's Atonal Music (2019)Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function (2019)Critique of Judgement (1790) (2026)
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  • 2004Hugo Riemann and the birth of modern musical thought84 cited
  • 2002Music and rhetoric75 cited
  • 1990Haydn's Theater Symphonies68 cited
  • 2003The characteristic symphony in the age of Haydn and Beethoven60 cited
  • 2013Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography57 cited
  • 1988Traditional Music and Cultural Identity: Persistent Paradigm in the History of Ethnomusicology54 cited
  • 2013TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA50 cited
  • 1987Gradus ad Parnassum: Beethoven, Schubert, and the Romance of Counterpoint36 cited
  • 2014Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea35 cited
  • 2012Globale Horizonte europäischer Kunstmusik, 1860–193033 cited
  • 1991Fétis's "Tonality" as a Metaphysical Principle: Hypothesis for a New Science31 cited
  • 2000Richard Wagners Das Judentum in der Musik29 cited
  • 2012ABSENT CADENCES26 cited
  • 2013THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING25 cited
  • 1985The New Modulation of the 1770s: C. P. E. Bach in Theory, Criticism, and Practice

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20 cited
  • 2012Bach's Feet: The Organ Pedals in European Culture19 cited