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The Routledge Companion to Stanislavsky
4 references·2 citing·22 second hop
The Routledge Companion to Stanislavsky (2013)The Routledge Companion to StanislavskyMeyerhold on Theatre (2016)Meyerhold on TheatreStanislavski and the Actor (2013)Stanislavski and the ActorThe haunted stage: the theatre as memory machine (2002)The haunted stage: the theatr…The Stanislavsky Heritage: Its Contribution to the Russian and American Theatre (1966)The Stanislavsky Heritage: It…On the Concept of Perezhivanie: A Quest for a Critical Review (2017)On the Concept of Perezhivani…Stanislavski’s system in musical theatre actor training: anomalies of acting song (2016)Stanislavski’s system in musi…Dynamics of the Singing Voice (1995)Stanislavsky in Focus: An Acting Master for the Twenty-First Century (1998)Twentieth century actor training (2000)Exploring musical theatre performance synergy: Accessing seven performative processes (2022)Thinking and Speech (1987)Vygotsky and the Social Formation of Mind (1987)Sociocultural Theory and Second Language Learning (2013)Subjectivity and Perezhivanie: Empirical and Methodological Challenges and Opportunities (2018)The lived experience of actor training: Perezhivanie - A literature review (2022)The effect of the cognitive–emotional dialectic on L2 development: Enhancing our understanding of perezhivanie (2023)The Cambridge Introduction to Theatre Studies (2008)The Drama of Memory in Shakespeare's History Plays (2015)Un/doing Differences (2017)Bringing Authoritative Models to Computational Drama (Encoding Knebel’s Action Analysis) (2016)Acting Oneself as Another: An Actor’s Empathy for her Character (2019)A pedagogy for twenty-first century actor training: intracultural theatre practice which embraces pluralistic identity and plays with difference (2020)The prodigal son'sRussian roots: Avant‐garde and icons (1981)Effector patterns of basic emotions: a psychophysiological method for training actors (1987)The stagecraft and performance of Roman comedy (2007)A Changing Theatre: New York and Beyond (1999)The Hieroglyphic Stage: American Theatre and Society, Post-Civil War to 1945 (1999)Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)
this work references cited by second hop

References

  • 2002The haunted stage: the theatre as memory machine690 cited
  • 2016Meyerhold on Theatre93 cited
  • 2013Stanislavski and the Actor43 cited
  • 1966The Stanislavsky Heritage: Its Contribution to the Russian and American Theatre29 cited

Cited by

  • 2017On the Concept of Perezhivanie: A Quest for a Critical Review41 cited
  • 2016Stanislavski’s system in musical theatre actor training: anomalies of acting song9 cited

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