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Kathakali dance-drama: where gods and demons come to play
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  • 2004Toward a Phenomenological Model of the Actor's Embodied Modes of Experience95 cited
  • 2007An Enactive Approach to Understanding Acting41 cited
  • 2009Movement training for the modern actor39 cited
  • 2013Between History and Historiography: The Origins of Classical Kuchipudi Dance29 cited
  • 2005The Pendulum of Intercultural Performance: Kathakali King Lear at Shakespeare's Globe19 cited
  • 2019Impersonations17 cited
  • 2022Maya Rao and Indian Feminist Theatre14 cited
  • 2014Dance as a Way of Being Religious13 cited
  • 2011Psychophysical Approaches and Practices in India: Embodying Processes and States of ‘Being–Doing’9 cited
  • 2015The art of creating a Kathakali performer’s ‘Presence’9 cited
  • 2010Method(ology), pedagogy and praxis: a phenomenology of the pre-performative training regime of Phillip Zarrilli8 cited
  • 2010KalariandKalarippayattuof Kerala, South India: nexus of the celestial, the corporeal, and the terrestrial7 cited
  • 2019Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance7 cited
  • 2008The Image of the Performing Body7 cited
  • 2007

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Present-Day Kutiyattam: G. Venu's Radical and Reactionary Sanskrit Theatre
7 cited
  • 2016‘OurDēviis like that’. An ethnological insight into the image of the Hindu goddessBhadrakāḷiin popular South Indian belief and temple practice6 cited