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The Concept of Mutability in Russian Theory
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The Concept of Mutability in Russian Theory (2014)The Concept of Mutability in Russian Theo…Rethinking Octatonicism (2012)Rethinking OctatonicismThe Hexatonic and the Double Tonic (2007)The Hexatonic and the Double …Tonality (2002)TonalityDefining Russia Musically: Historical and Hermeneutical Essays (1998)Defining Russia Musically: Hi…Defining Russia Musically (1997)Defining Russia MusicallyRussian theorists on modality in Shostakovich's music (1995)Russian theorists on modality…Studies on the Origin of Harmonic Tonality (1990)Studies on the Origin of Harm…The theory of music in Russia and the Soviet Union, ca. 1650--1950 (1988)The theory of music in Russia…Stravinsky's "Tonal Axis" (1982)Stravinsky's "Tonal Axis"On the Russian Concept of Lād, 1830–1945 (2019)On the Russian Concept of Lād…Tonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 12 (2015)Tonality and Mutability in Ra…Problems of Pitch Organization in Stravinsky (1963)Stravinsky and the Russian Traditions (1996)Catching Up with Rimsky-Korsakov (2011)“On the System of Stravinsky’s Harmony” by Yuri Kholopov (2013)On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality (2019)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony (2018)Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony (2021)Tonality (2001)Introduction to Special Issue: The Politics of Musical Knowledge in the Soviet Union and Beyond (1930s−1980s) (2020)Abolitionist Music Theory and Marxism: Notes Toward a Reconciliation (2023)Versuch einer geordneten Theorie der Tonsetzkunst.; 1830-1832 (1830)The Structure of the "Ring" and Its Evolution (1977)Ideen zu einer ‘Lehre von den Tonvorstellungen’ (1999)The Oxford Handbook of Neo-Riemannian Music Theories (2011)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)The Viennese symphony 1750 to 1827 (2013)The “tselostnyĭ analiz” (holistic analysis) of Zuckerman and Mazel (2014)Topic Theory in Soviet Musicology (2022)Stravinsky's "Mass" and Stravinsky Analysis (1989)Musical Time and Continuity as a Reflection of the Historical Situation of Modern Composers (1991)Harmony and Voice Leading in the Music of Stravinsky (2014)"National in Form, Socialist in Content": Musical Nation-Building in the Soviet Republics (1998)National Identity in Russian Culture (2004)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)The Total Work of Art in European Modernism (2011)The Cambridge History of Music Criticism (2019)The Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory (2014)Epistemologies of music theory (2002)Hugo Riemann and the Birth of Modern Musical Thought (2003)Music as Embodied Mathematics: A Study of a Mutually Informing Affinity (2003)
this work references cited by second hop

References

  • 1997Defining Russia Musically358 cited
  • 1990Studies on the Origin of Harmonic Tonality149 cited
  • 1998Defining Russia Musically: Historical and Hermeneutical Essays112 cited
  • 2002Tonality90 cited
  • 1982Stravinsky's "Tonal Axis"31 cited
  • 1988The theory of music in Russia and the Soviet Union, ca. 1650--195024 cited
  • 2012Rethinking Octatonicism16 cited
  • 1995Russian theorists on modality in Shostakovich's music15 cited
  • 2007The Hexatonic and the Double Tonic14 cited

Cited by

  • 2019On the Russian Concept of Lād, 1830–19458 cited
  • 2015Tonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 124 cited

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