SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Jazz Styles: History and Analysis
0 references·16 citing·56 second hop
Jazz Styles: History and Analysis (1978)Jazz Styles: History and AnalysisEvaluating motivational characteristics in vocational music education within the perspective of self-determination theory (2020)Evaluating motivational chara…“Shout It Out :” Patrice Rushen as polyphonist and the sounding of black women's affectability and genius (2017)“Shout It Out :” Patrice Rush…The Flexibility Hypothesis of Healing (2016)The Flexibility Hypothesis of…Informal in formal: The relationship of informal and formal learning in popular and jazz music master workshops in conservatoires (2015)Informal in formal: The relat…Communities of practice in the conservatory: learning with a professional musician (2015)Communities of practice in th…Dave Brubeck's Definitive "Jazzanians" (2013)Dave Brubeck's Definitive "Ja…Sensemaking and sensegiving stories of jazz leadership (2012)Sensemaking and sensegiving s…An approach to improvisation pedagogy in post-secondary jazz programmes based on negative dialectics (2012)An approach to improvisation …Rapping and Repping Asian (2007)Rapping and Repping AsianDifferences between Male and Female Students' Confidence, Anxiety, and Attitude toward Learning Jazz Improvisation (2006)Differences between Male and …The Effect of Conceptual Advancement in Jazz Music Selections and Jazz Experience on Musicians' Aesthetic Response (2004)The Effect of Conceptual Adva…Jazz Prosodies: Orality and Textuality (2002)Jazz Prosodies: Orality and T…A Study of Timing in Two Louis Armstrong Solos (2002)A Study of Timing in Two Loui…The “origin of samba” as the invention of Brazil (why do songs have music?)* (1999)The “origin of samba” as the …The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music (1997)The Clave of Jazz: A Caribbea…Improvisation and Jazz: Implications for International Practice (1995)Improvisation and Jazz: Impli…Slavery: A Problem in American Institutional and Intellectual Life (1960)Early Jazz: Its Roots and Musical Development (1970)Thinking in jazz: the infinite art of improvisation (1995)‘Funky Drummer’: New Orleans, James Brown and the rhythmic transformation of American popular music (2000)Bauza–Gillespie–Latin/Jazz: Difference, Modernity, and the Black Caribbean (2004)Rethinking Reich (2019)Jazz: Its Evolution and Essence (1956)The Jazz Tradition (1993)What to Listen for in Jazz (1995)Expressive Asynchrony in a Recording of Chopin's Prelude No. 6 in B Minor by Vladimir de Pachmann (2011)The Effects of a Positive Mindset Trigger Word Pre-Performance Routine on the Expressive Performance of Junior High Age Singers (2012)Expressive Performance in Contemporary Concert Music (2014)Genre and Gender in the Structure of Music Preferences (1988)The New Grove Dictionary of Jazz (1994)Musical Identities (2002)Primary School Children’s Self-Efficacy for Music Learning (2011)The Sources of Self-Efficacy (2015)Relationships Among Meditation, Perfectionism, Mindfulness, and Performance Anxiety Among Collegiate Music Students (2018)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)Statistical Principles in Experimental Design (1992)Reflections on Puccini's La Bohème (2008)Teaching Middle School Jazz: An Exploratory Sequential Mixed Methods Study (2011)What Research Reveals About School Jazz Education (2014)Sensemaking and sensegiving in strategic change initiation (1991)Sensemaking in Organizations (1996)Organizing and the Process of Sensemaking (2005)A narrative approach to strategy-as-practice (2013)Is critical leadership studies ‘critical’? (2016)The Role of Language in Organizational Sensemaking: An Integrative Theoretical Framework and an Agenda for Future Research (2023)Orality and Literacy (1982)The Jazz cadence of American culture (1999)Spoken Soul: The Story of Black English (2000)The Blackness of Blackness. .. Reading the Typography of Invisible Man (2005)HIP-HOP HABITUS v.2.0 (2014)Walter J. Ong, Orality and Literacy (1982) (2020)Mind in Society: The Development of Higher Psychological Processes (1978)Case Study Research: Design and Methods (1984)Case Study Research: Design and Methods (1991)Choral conducting education: The lifelong entanglement of competence, identity and meaning (2020)The value of collaborative learning for music practice in higher education (2020)“Play with me”: Student perspectives on collaborative chamber music instruction (2021)Situated Learning (1991)Communities of practice learning, meaning, and identity (1999)Explorational instrumental practice: An expansive approach to the development of improvisation competence (2017)The Ritual Process: Structure and Anti-Structure (1976)Acceptance and Commitment Therapy: Model, processes and outcomes (2005)Mindset: the new psychology of success (2006)The Ethics and Aesthetics of Care (2018)Pivotal mental states (2020)Discipline and Punish: The Birth of the Prison (1978)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Modernity at Large: Cultural Dimensions of Globalization. (1998)“We Ain’t Missing”: Palestinian Hip Hop—A Transnational Youth Movement (2008)The Asian American voice : a Critical Discourse Analysis (CDA) approach to rap lyrics (2011)Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music (2012)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2006Differences between Male and Female Students' Confidence, Anxiety, and Attitude toward Learning Jazz Improvisation98 cited
  • 2012Sensemaking and sensegiving stories of jazz leadership95 cited
  • 2016The Flexibility Hypothesis of Healing81 cited
  • 1997The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music79 cited
  • 2002Jazz Prosodies: Orality and Textuality57 cited
  • 2015Communities of practice in the conservatory: learning with a professional musician40 cited
  • 2002A Study of Timing in Two Louis Armstrong Solos40 cited
  • 2015Informal in formal: The relationship of informal and formal learning in popular and jazz music master workshops in conservatoires38 cited
  • 2007Rapping and Repping Asian31 cited
  • 2004The Effect of Conceptual Advancement in Jazz Music Selections and Jazz Experience on Musicians' Aesthetic Response30 cited
  • 2020Evaluating motivational characteristics in vocational music education within the perspective of self-determination theory20 cited
  • 2017“Shout It Out :” Patrice Rushen as polyphonist and the sounding of black women's affectability and genius17 cited
  • 2013Dave Brubeck's Definitive "Jazzanians"15 cited
  • 2012

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

An approach to improvisation pedagogy in post-secondary jazz programmes based on negative dialectics
15 cited
  • 1995Improvisation and Jazz: Implications for International Practice15 cited
  • 1999The “origin of samba” as the invention of Brazil (why do songs have music?)*15 cited