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Einleitung in die Musiksoziologie : zwölf theoretische Vorlesungen
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Cited by

  • 2000Chamber music and organization theory: some typical organizational phenomena seen under the microscope28 cited
  • 2001‘When orff meets guinness’: music in advertising as a form of cultural hybrid22 cited
  • 1984Listening behaviour and musical preference in the age of ‘transmitted music’20 cited
  • 2010The Economy of Music Programs and Organizations. A Micro Analysis and Typology19 cited
  • 2010The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music16 cited
  • 1997The management of opera houses: The Italian experience of theEnti Autonomi115 cited
  • 2002Zeitschrift für Kritische Musikpädagogik9 cited
  • 2006Musikalische Selbstsozialisation Jugendlicher. Theoretische Perspektiven und Forschungsergebnisse8 cited
  • 1997Die neue Musikszene: Von Techno bis Crossover6 cited
  • 2008Towards a justification for a philosophy of music education: a quodlibet for South Africa4 cited
  • 2017Der Opernbesuch als soziale Angelegenheit. Zur kommunikativen Konstruktion eines ‚unmöglichen Kunstwerks‘3 cited
  • 2012Soziologische Perspektiven auf musikalische Sozialisation3 cited

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