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Cited by

• 2020Performing care61 cited
• 2015Arts and humanities research evaluation: no metrics please, just data48 cited
• 2013Interrupting Flow: Researching Play, Performance and Immersion in Festival Scenes36 cited
• 2017Autonomy and resilience in cultural work: looking beyond the ‘creative industries’33 cited
• 2014When Qualitative Research Meets Theater28 cited
• 2014Immersion, Embodiment, and Imagination: Moving Beyond an Aesthetic of Objectivity in Research-Informed Performance in Health27 cited
• 2017The Drama Spiral: A Decision-Making Model for Safe, Ethical, and Flexible Practice when Incorporating Personal Stories in Applied Theatre and Performance23 cited
• 2013The Inner City and the ‘Hoodie’21 cited
• 2016A good day out: applied theatre, relationality and participation21 cited
• 2018Understanding spaces of potentiality in applied theatre21 cited
• 2010‘Why be interested?’ Aesthetics, applied theatre and drama education21 cited
• 2010Kindergarten theory: Childhood, affect, critical thought20 cited
• 2014Drama and the representation of affect – structures of feeling and signs of learning18 cited
• 2012Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I Am Walking