SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Embodying Music
4 references·16 citing·43 second hop
Embodying Music (2011)Embodying MusicTone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Tone and Voice: A Derivation …The sonic self: musical subjectivity and signification (2001)The sonic self: musical subje…Saying Something: Jazz Improvisation and Interaction (1999)Saying Something: Jazz Improv…Feminist Theory, Music Theory, and the Mind/Body Problem (1994)Feminist Theory, Music Theory…Reimagine to Revitalise (2021)Reimagine to RevitaliseCompound AABA Form and Style Distinction in Heavy Metal (2021)Compound AABA Form and Style …Bang your Head: Construing Beat through Familiar Drum Patterns in Metal Music (2021)Bang your Head: Construing Be…Shared musical creativity: teaching composer-performer collaboration (2020)Shared musical creativity: te…Affective block and the musical racialisation of Romani sincerity (2020)Affective block and the music…A Transformational Approach to Gesture in Shō Performance (2020)A Transformational Approach t…Loving Music Till It Hurts (2019)Loving Music Till It HurtsMusic and Embodied Cognition: Listening, Moving, Feeling, and Thinking. By Arnie Cox (2018)Music and Embodied Cognition:…Fretboard Transformations (2018)Fretboard TransformationsForm—Function—Content (2018)Form—Function—ContentMovement, Music, Feminism (2017)Movement, Music, FeminismA System for Describing Vocal Timbre in Popular Song (2016)A System for Describing Vocal…Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83) (2015)Riff Schemes, Form, and the G…Listeners’ Bodies in Music Analysis (2015)Listeners’ Bodies in Music An…Meaning construction in verbomusical environments: Conceptual disintegration and metonymy (2014)Meaning construction in verbo…Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1 (2012)Instrumental Gesture in Chopi…Tropics of Discourse: Essays in Cultural Criticism (1979)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of Sonata Theory (2006)Transcending Time (Feels) (2021)The feeling of what happens: body and emotion in the making of consciousness (2000)Being alive essays on movement, knowledge and description (2011)Being Alive (2011)Enacting Musical Time (2019)The Anxiety of Influence: A Theory of Poetry (1974)The way we think: conceptual blending and the mind's hidden complexities (2002)Metaphors We Live By (2003)Singing as a figure of speech, music as punctuation (2020)The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The New Grove dictionary of music and musicians (2001)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)The Geometry of Musical Chords (2006)A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative (2012)Gender Trouble: Feminism and the Subversion of Identity (1991)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)Action and Agency Revisited (2013)Performing Rites (1996)Performing rites: on the value of popular music (1997)Ways of listening: an ecological approach to the perception of musical meaning (2006)In Search of the Golden Age Hip-Hop Sound (1986–1996) (2017)What Makes It Sound ’80s? (2019)The Cultural Significance of Timbre Analysis (2020)Local Knowledge: Further Essays In Interpretive Anthropology (1983)Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism (1984)Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth- Century America. (1998)Rethinking Social Action through Music (2021)Music, Encounter, Togetherness (2024)When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–2016 (2025)Running with the devil: power, gender, and madness in heavy metal music (1993)Constructions at Work: The Nature of Generalization in Language (2006)Language, Usage and Cognition (2010)Lorna Shore’s ‘To the Hellfire’: A study in heaviness (2023)Song form and storytelling in mainstream metal (2023)Group creativity: musical performance and collaboration (2006)Distributed creativity: How collective creations emerge from collaboration. (2009)Music and the materialization of identities (2011)Peirce's Theory of Signs (2007)The Art of Doing (Geographies of) Music (2007)Music and Ethical Responsibility (2014)
this work references cited by second hop

References

  • 1999Saying Something: Jazz Improvisation and Interaction382 cited
  • 2001Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles366 cited
  • 1994Feminist Theory, Music Theory, and the Mind/Body Problem324 cited
  • 2001The sonic self: musical subjectivity and signification210 cited

Cited by

  • 2019Loving Music Till It Hurts145 cited
  • 2016A System for Describing Vocal Timbre in Popular Song82 cited
  • 2014Meaning construction in verbomusical environments: Conceptual disintegration and metonymy64 cited
  • 2021Bang your Head: Construing Beat through Familiar Drum Patterns in Metal Music49 cited
  • 2012Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 141 cited
  • 2015Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83)35 cited
  • 2017Movement, Music, Feminism34 cited
  • 2018Fretboard Transformations31 cited
  • 2021Compound AABA Form and Style Distinction in Heavy Metal25 cited
  • 2015Listeners’ Bodies in Music Analysis22 cited
  • 2020A Transformational Approach to Gesture in Shō Performance20 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2021
Reimagine to Revitalise
17 cited
  • 2020Affective block and the musical racialisation of Romani sincerity13 cited
  • 2018Form—Function—Content13 cited
  • 2018Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking. By Arnie Cox7 cited
  • 2020Shared musical creativity: teaching composer-performer collaboration6 cited