SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Musicians as Workers: Putting the UK Musicians' Union into Context
11 references·4 citing·33 second hop
Musicians as Workers: Putting the UK Musicians' Union into Context (2014)Musicians as Workers: Putting the UK Musi…The Music Industries (2012)The Music IndustriesInnovation and Skills (2010)Innovation and SkillsEarly Musicians' Unions in Britain, France, and the United States: On the Possibilities and Impossibilities of Transnational Militant Transfers in an International Industry (2009)Early Musicians' Unions in Br…Circular breathing: the cultural politics of jazz in Britain (2006)Circular breathing: the cultu…United We Stand : A History of Britain's Trade Unions (2004)United We Stand : A History o…"Buried under the Fecundity of His Own Creations": Reconsidering the Recording Bans of the American Federation of Musicians, 1942-1944 and 1948 (2004)"Buried under the Fecundity o…Music for the People: Popular Music and Dance in Interwar Britain (2002)Music for the People: Popular…The Music Industry (1999)The Music IndustryMusic matters: the performer and the American Federation of Musicians (1989)Music matters: the performer …The Sociology of Rock (1979)The Sociology of RockA History of British Trade Unionism (1976)A History of British Trade Un…Under suspicion: library music and the Musicians’ Union in Britain, 1960–1978 (2023)Under suspicion: library musi…Music as Labour (2022)Music as LabourMusic (as) Labour: Crises and Solidarities among Greek Musicians in the Pandemic (2022)Music (as) Labour: Crises and…The emergence of the “jazz neighbourhood” of Kerameikos in recession Athens (2020)The emergence of the “jazz ne…Consumer perceptions of service quality: an assessment of the SERVQUAL dimensions (1990)Evolving to a New Dominant Logic for Marketing (2003)Fundamentals of service science (2007)Competing perspectives on graduate employability: possession, position or process? (2011)Graduate Employability: A Review of Conceptual and Empirical Themes (2012)Human Capital Theory (2014)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Understanding music consumption through a tribal lens (2010)Rethinking Business Models in Creative Industries (2014)‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties (2015)Understanding sponsorship effects (2001)Gender dynamics and the social and spatial organization of computer gaming (2003)Leading the Herd Astray: An Experimental Study of Self-fulfilling Prophecies in an Artificial Cultural Market (2008)From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value (2008)Why Concert Promoters Matter (2011)Improvisation and Social Aesthetics (2017)The Right of Registration: Development, Identity Registration, and Social Security—A Historical Perspective (2006)Affluence and Industrial Relations in Post-War Britain (2008)Labour’s lines of flight: Rethinking the vulnerabilities of transnational capital (2009)British Trade Unions, 1800–1875 (1972)Working Hours of the World Unite? New International Evidence of Worktime, 1870–1913 (2004)Policy Concertation in Europe (2007)Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940–1990 (2005)Musical Styles and Song Conventions (2012)The Filmed Musical (2012)Sound Work: Music as Labor and the 1940s Recording Bans of the American Federation of Musicians (2013)Colonization and the Institutionalization of Hierarchies of the Human through Music Education: Studies in the Education of Feeling (2014)How consumers contribute to the development and continuity of a cultural market (2016)Regulating for creativity and cultural diversity: the case of collective management organisations and the music industry (2016)Doing it with others: The social dynamics of Do-It-Yourself musicking (2023)Continuity, change and performativity in leisure: English folk dance and modernity 1900–1939 (2009)'Beats apart': a comparative history of youth culture and popular music in Liverpool and Newcastle upon Tyne, 1956 - 1965 (2010)Rhythms of Labour: Music at Work in Britain (2013)
this work references cited by second hop

References

  • 2010Innovation and Skills593 cited
  • 1979The Sociology of Rock205 cited
  • 1976A History of British Trade Unionism170 cited
  • 2006Circular breathing: the cultural politics of jazz in Britain76 cited
  • 2004"Buried under the Fecundity of His Own Creations": Reconsidering the Recording Bans of the American Federation of Musicians, 1942-1944 and 194858 cited
  • 1999The Music Industry58 cited
  • 2002Music for the People: Popular Music and Dance in Interwar Britain38 cited
  • 1989Music matters: the performer and the American Federation of Musicians38 cited
  • 2004United We Stand : A History of Britain's Trade Unions34 cited
  • 2012The Music Industries31 cited
  • 2009Early Musicians' Unions in Britain, France, and the United States: On the Possibilities and Impossibilities of Transnational Militant Transfers in an International Industry14 cited

Cited by

  • 2020The emergence of the “jazz neighbourhood” of Kerameikos in recession Athens6 cited
  • 2022Music (as) Labour: Crises and Solidarities among Greek Musicians in the Pandemic6 cited
  • 2022Music as Labour4 cited
  • 2023Under suspicion: library music and the Musicians’ Union in Britain, 1960–1978

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

3 cited