SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Acting in the Cinema
0 references·16 citing·51 second hop
Acting in the Cinema (1988)Acting in the CinemaMise en Scène (2020)Mise en ScèneMise en Scène (2017)Mise en ScèneBuster Keaton’s Climate Change (2014)Buster Keaton’s Climate ChangeFeminist Film Studies (2012)Feminist Film Studies“WhoDon't Care If The Money's No Good?”: Authenticity and The Band (2012)“WhoDon't Care If The Money's…A Surface Collaboration: Hitchcock and Performance (2011)A Surface Collaboration: Hitc…‘I'm just a character in your film’: acting and performance from autism to Zissou (2011)‘I'm just a character in your…The ‘place’ of television in celebrity studies (2010)The ‘place’ of television in …No Longer Themselves?: Framing Digitally Enabled Posthumous “Performance” (2010)No Longer Themselves?: Framin…Hollywood Incoherent: Narration in Seventies Cinema (2010)Hollywood Incoherent: Narrati…The Divided Self and the Dark City: Film Noir and Liminality (2008)The Divided Self and the Dark…Reconceptualizing Screen Performance (2006)Reconceptualizing Screen Perf…The Films of Woody Allen (2002)The Films of Woody AllenParasoziale Interaktion und indirekte Adressierung (1996)Parasoziale Interaktion und i…Negotiating Hollywood: The Cultural Politics of Actors' Labor (1995)Negotiating Hollywood: The Cu…The Discourse of Pictures: Iconicity and Film Studies (1993)The Discourse of Pictures: Ic…Three Essays on the Theory of Sexuality (1905)Is There a Text in This Class? The Authority of Interpretive Communities (1983)The sublime object of ideology (1990)Woody Allen and the Spirit of Greek Tragedy: From Crimes and Misdemeanors (1989) to Match Point (2005) (2008)Cassandra's Dream, de Woody Allen: la contemporaneïtat de la tragèdia grega (2009)Motivation During an Excessively Challenging Reading Task: The Buffering Role of Relative Topic Interest (2011)Frame Analysis: An Essay on the Organization of Experience. (1975)Simulacra and Simulation (1995)Gender, race, and the ma(s)king of ‘Joni Mitchell’ (2016)Musical gesture in the songs of Nick Drake (2016)Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’) (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)Language, Thought, and Reality: Selected Writings of Benjamin Lee Whorf (1957)Constants across cultures in the face and emotion. (1971)Basic color terms: their universality and evolution. By Brent Berlin and Paul Kay. Berkeley & Los Angeles: University of California Press, 1969. Pp. xi, 178. $8.50. (1973)Science Consultants, Fictional Films, and Scientific Practice (2003)The Impact of Science Fiction Film on Student Understanding of Science (2006)A philosophy of cinematic art (2010)The Language of New Media (2002)Carnal thoughts: embodiment and moving image culture (2005)What do pictures want?: the lives and loves of images (2006)I'll (Always) Be Back: Virtual Performance and Post-Human Labor in the Age of Digital Cinema (2012)Rewriting the stars: Surface tensions and gender troubles in the online media production of digital deepfakes (2021)Vactor ontologies: framing acting within a motion capture context (2021)Against Interpretation and Other Essays (1966)Illuminations: Essays and Reflections (1968)The Taming of Chance (1990)Fire and Failure: Studio Technology, Environmental Control, and the Politics of Progress (2018)Enacting the Worlds of Cinema (2022)Mass Communication and Para-Social Interaction (1956)The image : a guide to pseudo-events in America (1992)Formations of class and gender (1997)The Unwatched Life Is Not Worth Living: The Elevation of the Ordinary in Celebrity Culture (2011)The Secular Scripture: A Study of the Structure of Romance (1977)The Dialogic Imagination: Four Essays (1981)The Anthropology of Performance (1986)The Composer and the Studio (2016)The film studies dictionary (2001)Reclams Sachlexikon des Films (2002)Figures Traced in Light (2005)The Photoplay. A Psychological Study (1916)3.2. MARXISM AND LITERATURE (2006)Reading the Popular (2006)Letters of Introduction: Film Credits and Cityscapes (2010)The SAG–AFTRA Merger (2015)Visual Pleasure and Narrative Cinema (1975)Black looks: race and representation (1992)The Location of Culture (2012)Dementia and the biopolitics of the biopic: From Iris to The Iron Lady (2013)Postfeminism Meets the Women in Prison Genre (2016)The Chinese female spectatorship: a study of the network community of the “boys’ love” movie “Call Me by Your Name” (2019)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Feminist Film Studies95 cited
  • 2010The ‘place’ of television in celebrity studies89 cited
  • 1995Negotiating Hollywood: The Cultural Politics of Actors' Labor86 cited
  • 1993The Discourse of Pictures: Iconicity and Film Studies49 cited
  • 2002The Films of Woody Allen48 cited
  • 2010No Longer Themselves?: Framing Digitally Enabled Posthumous “Performance”42 cited
  • 2012“WhoDon't Care If The Money's No Good?”: Authenticity and The Band35 cited
  • 2008The Divided Self and the Dark City: Film Noir and Liminality30 cited
  • 2014Buster Keaton’s Climate Change28 cited
  • 2020Mise en Scène26 cited
  • 2006Reconceptualizing Screen Performance24 cited
  • 2010Hollywood Incoherent: Narration in Seventies Cinema23 cited
  • 2017Mise en Scène22 cited
  • 2011A Surface Collaboration: Hitchcock and Performance21 cited
  • 1996Parasoziale Interaktion und indirekte Adressierung21 cited
  • 2011‘I'm just a character in your film’: acting and performance from autism to Zissou

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

17 cited