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I. Azurite and Blue Verditer
6 references·16 citing·39 second hop
I. Azurite and Blue Verditer (1966)I. Azurite and Blue VerditerPainting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Cross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…Ancient Egyptian Materials and Industries (1948)Ancient Egyptian Materials an…Qualitative Analysis by Spot Tests (1947)Qualitative Analysis by Spot …Painting Materials : a Short Encyclopedia (1943)Painting Materials : a Short …Annales historico-naturales Musei Nationalis Hungarici. (1911)Annales historico-naturales M…Pigments, minerals, and copper-corrosion products: Terahertz continuous wave (THz-CW) spectroscopic characterization of antlerite and atacamite (2024)Pigments, minerals, and coppe…Azurite in medieval illuminated manuscripts: a reflection-FTIR study concerning the characterization of binding media (2019)Azurite in medieval illuminat…Existence of nanoparticles in azurite and malachite pigments – Raman spectroscopy and X-ray diffraction studies (2016)Existence of nanoparticles in…Multidisciplinary approach for the study of an Egyptian coffin (late 22nd/early 25th dynasty): Combining imaging and spectroscopic techniques (2015)Multidisciplinary approach fo…Characterisation of corrosion layers formed under burial environment of copper-based Greek and Roman coins from Pompeii (2015)Characterisation of corrosion…The investigation of ancient metal artefacts by portable X-ray fluorescence devices (2014)The investigation of ancient …The ‘Madonna and Child Enthroned with Saints’ of Ambrogio Lorenzetti in the St. Augustine Church (Siena, Italy): Raman microspectroscopy and SEM-EDS characterisation of the pigments (2014)The ‘Madonna and Child Enthro…A multi-analytical study of the fifteenth century mural paintings of the Batalha Monastery (Portugal) in view of their conservation (2013)A multi-analytical study of t…Study of Mural Paintings UsingIn SituXRF, Confocal Synchrotron-μ-XRF, μ-XRD, Optical Microscopy, and SEM-EDS—The Case of the Frescoes from Misericordia Church of Odemira (2011)Study of Mural Paintings Usin…Characterization of paint and varnish on a medieval Coptic-Byzantine icon: Novel usage of dammar resin (2008)Characterization of paint and…Plutarch's Report on the Blue Patina of Bronze Statues at Delphi: A Scientific Explanation (2005)Plutarch's Report on the Blue…Lime Blue – A Mediaeval Pigment for Wall Paintings? (2003)Lime Blue – A Mediaeval Pigme…X-ray Fluorescence Applications for the Study and Conservation of Cultural Heritage (2000)X-ray Fluorescence Applicatio…An Occurrence of Pararealgar as an Original or Altered Artists' Pigment (1995)An Occurrence of Pararealgar …The Identification of Blue Pigments in Early Sienese Paintings by Color Infrared Photography (1991)The Identification of Blue Pi…Green Copper Pigments of Old Russian Frescoes (1990)Green Copper Pigments of Old …The early history of metallurgy in Europe (1987)Morphology and mechanisms of formation of natural patinas on archaeological Cu–Sn alloys (1998)Non-Destructive Microanalysis of Cultural Heritage Materials (2004)Reliability of portable X-ray Fluorescence for the chemical characterisation of ancient corroded copper‑tin alloys (2018)Analytical and computational study of three coptic icons in Saint Mercurius Monastery, Egypt (2019)Non-destructive identification of surface enrichment and trace element fractionation in ancient silver coins (2020)The system of mineralogy of James Dwight Dana and Edward Salisbury Dana, Yale University, 1837-1892 (1944)Application of Science in Examination of Works of Art (1959)Ann Arbor, Michigan (1969)A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting (2000)Change is permanent: thoughts on the fading of cochineal-based watercolor pigments (2017)Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials (2018)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Ancient Egyptian materials and technology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts (2010)A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings (2012)Comprehensive study of an ancient Egyptian foot case cartonnage using Raman, ESEM-EDS, XRD and FTIR (2019)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Infrared Spectroscopy in Conservation Science (2000)Scientific investigation by technical photography, OM, ESEM, XRF, XRD and FTIR of an ancient Egyptian polychrome wooden coffin (2017)Pigments analysis of an Egyptian cartonnage by means of XPS and Raman spectroscopy (2020)Evidence for cultivation of sesame in the ancient world (1986)Clay and iron oxide pigments in the history of painting (2003)Was the Wealth of Nations Determined in 1000 BC? (2010)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)VERMILION AND CINNABAR (1972)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Corrosion of ancient Chinese bronze money trees studied by Raman microscopy (1999)A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments (2000)ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments (2009)Mikromethoden zur Gem�ldeuntersuchung (1950)Some Observations on Methods for Identifying Proteins in Paint Media (1962)Skeletal evidence for health and disease in the Iron Age of northeastern Hungary (1998)Bony Bridging of the Mylohyoid Groove of the Human Mandible. 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References

  • 1911Annales historico-naturales Musei Nationalis Hungarici.918 cited
  • 1948Ancient Egyptian Materials and Industries547 cited
  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1947Qualitative Analysis by Spot Tests366 cited
  • 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
  • 1943Painting Materials : a Short Encyclopedia155 cited

Cited by

  • 2014The investigation of ancient metal artefacts by portable X-ray fluorescence devices38 cited
  • 1995An Occurrence of Pararealgar as an Original or Altered Artists' Pigment38 cited
  • 2015Multidisciplinary approach for the study of an Egyptian coffin (late 22nd/early 25th dynasty): Combining imaging and spectroscopic techniques33 cited
  • 2008Characterization of paint and varnish on a medieval Coptic-Byzantine icon: Novel usage of dammar resin32 cited
  • 2019Azurite in medieval illuminated manuscripts: a reflection-FTIR study concerning the characterization of binding media32 cited
  • 2000X-ray Fluorescence Applications for the Study and Conservation of Cultural Heritage32 cited
  • 1990Green Copper Pigments of Old Russian Frescoes30 cited
  • 2015Characterisation of corrosion layers formed under burial environment of copper-based Greek and Roman coins from Pompeii25 cited

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  • 1991The Identification of Blue Pigments in Early Sienese Paintings by Color Infrared Photography21 cited
  • 2011Study of Mural Paintings UsingIn SituXRF, Confocal Synchrotron-μ-XRF, μ-XRD, Optical Microscopy, and SEM-EDS—The Case of the Frescoes from Misericordia Church of Odemira18 cited
  • 2014The ‘Madonna and Child Enthroned with Saints’ of Ambrogio Lorenzetti in the St. Augustine Church (Siena, Italy): Raman microspectroscopy and SEM-EDS characterisation of the pigments16 cited
  • 2024Pigments, minerals, and copper-corrosion products: Terahertz continuous wave (THz-CW) spectroscopic characterization of antlerite and atacamite15 cited
  • 2013A multi-analytical study of the fifteenth century mural paintings of the Batalha Monastery (Portugal) in view of their conservation15 cited
  • 2016Existence of nanoparticles in azurite and malachite pigments – Raman spectroscopy and X-ray diffraction studies14 cited
  • 2003Lime Blue – A Mediaeval Pigment for Wall Paintings?12 cited
  • 2005Plutarch's Report on the Blue Patina of Bronze Statues at Delphi: A Scientific Explanation12 cited