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The Political Economy of Audiences
16 references·4 citing·30 second hop
The Political Economy of Audiences (2011)The Political Economy of AudiencesAudiences and Publics: When Cultural Engagement Matters for the Public Sphere (2005)Audiences and Publics: When C…Fan Cultures (2003)Fan CulturesMedia and Cultural Studies: Key Works (2001)Media and Cultural Studies: K…The Political Economy of Communication: Rethinking and Renewal (2000)The Political Economy of Comm…Audience Analysis (1997)Audience AnalysisLIVING ROOM WARS (1996)LIVING ROOM WARSStar gazing: Hollywood cinema and female spectatorship (1995)Star gazing: Hollywood cinema…Interpreting Films (1992)Interpreting FilmsNot yet the post‐imperialist era (1991)Not yet the post‐imperialist …The Export of Meaning: Cross-Cultural Readings of Dallas (1990)The Export of Meaning: Cross-…The Codes of Advertising: Fetishism and the Political Economy of Meaning in the Consumer Society (1987)The Codes of Advertising: Fet…Watching Dallas: Soap Opera and the Melodramatic Imagination (1985)Watching Dallas: Soap Opera a…Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critiqu…Power without Responsibility: The Press and Broadcasting in Britain (1982)Power without Responsibility:…The Nationwide audience : structure and decoding (1980)The Nationwide audience : str…Communications: Blindspot of Western Marxism (1977)Communications: Blindspot of …Studying Political Economies of Communication in the Twenty-First Century (2018)Studying Political Economies …Dallas Smythe Today – The Audience Commodity, the Digital Labour Debate, Marxist Political Economy and Critical Theory. Prolegomena to a Digital Labour Theory of Value (2015)Dallas Smythe Today – The Aud…The Political Economy of Financially Successful Independent Hip-Hop Artists (2014)The Political Economy of Fina…Book Consumption in Convergence Culture : An Exploratory Audience Study of Media Repertoires of Book Consumption in the Tension between Participation and Corporate Control (2014)Book Consumption in Convergen…Value in Informational Capitalism and on the Internet (2012)Conceptualizing the carceral in carceral geography (2017)Showing They Care (Or Don’t): Affective Publics and Ambivalent Climate Activism on TikTok (2021)Researching risk and the media (1999)A critique of cultural education in nursing (2001)Do you identify as a gamer? Gender, race, sexuality, and gamer identity (2011)Uses and Gratifications Theory in the 21st Century (2000)Critical Discourse Analysis (2015)National Identity, Popular Culture and Everyday Life (2020)Hybridity in Cultural Globalization (2002)Culture, Globalization, Mediation (2004)The Production of Culture Perspective (2004)Gender dynamics and the social and spatial organization of computer gaming (2003)Media Talk: Spoken Discourse on TV and Radio (2005)The Becoming of Bodies (2008)Understanding Popular Culture (2006)What Is Digital Labour? What Is Digital Work? What’s their Difference? And Why Do These Questions Matter for Understanding Social Media? (2013)Actors, Actants, Audiences, and Activities in Cross-Media News Work (2014)New Audiences, New Textualities (2003)Pride in contemporary sport consumption: a marketing perspective (2009)Crowdsourcing and online collaborative translations (2017)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Consumption and Theories of Practice (2005)Income inequality and population health: A review and explanation of the evidence (2005)The Valorization of Surveillance: Towards a Political Economy of Facebook (2008)The Arab Spring| Digital Media in the Egyptian Revolution: Descriptive Analysis from the Tahrir Data Set (2011)Control, curation and musical experience in streaming music services (2015)Beyond media imperialism: Assymetrical interdependence and cultural proximity (1991)Rethinking the Focus Group in Media and Communications Research (1996)Hybridity: The Cultural Logic Of Globalization (2005)
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References

  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 1985Watching Dallas: Soap Opera and the Melodramatic Imagination1,556 cited
  • 2001Media and Cultural Studies: Key Works1,035 cited
  • 1996LIVING ROOM WARS1,012 cited
  • 1980The Nationwide audience : structure and decoding880 cited
  • 2003Fan Cultures869 cited
  • 1977Communications: Blindspot of Western Marxism804 cited
  • 1995Star gazing: Hollywood cinema and female spectatorship785 cited
  • 1990The Export of Meaning: Cross-Cultural Readings of Dallas724 cited
  • 2000The Political Economy of Communication: Rethinking and Renewal503 cited
  • 1987The Codes of Advertising: Fetishism and the Political Economy of Meaning in the Consumer Society391 cited
  • 1982Power without Responsibility: The Press and Broadcasting in Britain375 cited
  • 1997Audience Analysis342 cited
  • 1992Interpreting Films340 cited
  • 1991Not yet the post‐imperialist era275 cited
  • 2005Audiences and Publics: When Cultural Engagement Matters for the Public Sphere248 cited

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Cited by

  • 2015Dallas Smythe Today – The Audience Commodity, the Digital Labour Debate, Marxist Political Economy and Critical Theory. Prolegomena to a Digital Labour Theory of Value149 cited
  • 2018Studying Political Economies of Communication in the Twenty-First Century14 cited
  • 2014The Political Economy of Financially Successful Independent Hip-Hop Artists4 cited
  • 2014Book Consumption in Convergence Culture : An Exploratory Audience Study of Media Repertoires of Book Consumption in the Tension between Participation and Corporate Control2 cited