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Response to Mike Cheng-Yu Lee
2 references·1 citing·10 second hop
Response to Mike Cheng-Yu Lee (2010)Response to Mike Cheng-Yu LeeThe Classical Cadence: Conceptions and Misconceptions (2004)The Classical Cadence: Concep…Structural Tonic or Apparent Tonic?: Parametric Conflict, Temporal Perspective, and a Continuum of Articulative Possibilities (1995)Structural Tonic or Apparent …Review of Janet Schmalfeldt:In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music(Oxford University Press, 2011) (2011)Review of Janet Schmalfeldt:I…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Classic Music: Expression, Form, and Style (1981)Classical Form (1998)Music as Discourse (2008)Harmony in Haydn and Mozart (2012)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)The Schenker Project (2007)When Structure and Design Collide: The Three-Key Exposition Revisited (2014)
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References

  • 2004The Classical Cadence: Conceptions and Misconceptions299 cited
  • 1995Structural Tonic or Apparent Tonic?: Parametric Conflict, Temporal Perspective, and a Continuum of Articulative Possibilities26 cited

Cited by

  • 2011Review of Janet Schmalfeldt:In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music(Oxford University Press, 2011)2 cited

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