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The Billboard Book of Top 40 Hits
0 references·16 citing·42 second hop
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  • 1996Entropy and Popular Culture: Product Diversity in the Popular Music Recording Industry74 cited
  • 1997Rebellions of Everynight Life51 cited
  • 1997Of Rhythms and Borders51 cited
  • 2010Configuring the sound-box 1965–197244 cited
  • 2008The Establishment of the Virtual Performance Space in Rock37 cited
  • 1999Surfing the Other: Ideology on the Beach32 cited
  • 1997Salsa as Translocation32 cited
  • 2013“Luring Disco Dollies to a Life of Vice”: Queer Pop Music's Moment19 cited
  • 1994Structural Changes in the Phonograph Record Industry and its Channels of Distribution, 1946-196619 cited
  • 2011They Say She's Different: Race, Gender, Genre, and the Liberated Black Femininity of Betty Davis12 cited
  • 1997Notes toward a Reading of Salsa10 cited
  • 1996Rhetorical strategies of continuity and change in the music of popular artists over time8 cited
  • 2017Black Pop Songwriting 1963–1966: An Analysis of U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland6 cited
  • 1993Traditional criticism of popular music and the making of a lip‐synching scandal6 cited
  • 2008

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Latinos in the Garage: A Genealogical Examination of the Latino/a Presence and Influence in Garage Rock (and Rock and Pop Music)1
6 cited
  • 2000Lennon-McCartney and the Early British Invasion, 1964–66 cited