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Extraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove
16 references·2 citing·28 second hop
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this work references cited by second hop

References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 1998Classical Form529 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 2005Intertextuality in Western art music275 cited
  • 1997The Second Practice of Nineteenth-Century Tonality180 cited
  • 1989Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg142 cited
  • 2007Schoenberg's Musical Imagination126 cited
  • 1986The Functional Extravagance of Chromatic Chords126 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 1981Tonal implications of the diatonic set114 cited
  • 1984Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B75 cited
  • 1995Supplement to the Theory of Augmented-Sixth Chords72 cited
  • 2005When Functions Collide: Aspects of Plural Function in Chromatic Music71 cited
  • 2003A Schoenberg Reader64 cited
  • 1995Functional Harmony Revisited: A Prototype-Theoretic Approach59 cited

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  • 1993The Early Works of Arnold Schoenberg 1893–190850 cited
  • Cited by

    • 2022Chromatically Altered Diminished‐Seventh Chords: Reframing Function through Dissonance Resolution in Late Nineteenth‐Century Tonality14 cited
    • 2020Half‐Diminished Seventh Chords and Their Contexts3 cited