SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Crossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”
12 references·0 citing·36 second hop
Crossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android” (2013)Crossing Over with Brad Mehldau’s Cover o…Radiohead and the Resistant Concept Album (2010)Radiohead and the Resistant C…Expression in Pop-Rock Music (2007)Expression in Pop-Rock MusicAdaptation and Appropriation (2007)Adaptation and AppropriationRe‐flections on the Cover Age: A Collage of Continuous Coverage in Popular Music (2005)Re‐flections on the Cover Age…Composition versus Improvisation? (2005)Composition versus Improvisat…Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys (2003)Taking it seriously: intertex…HIJACKED HITS AND ANTIC AUTHENTICITY: (2002)HIJACKED HITS AND ANTIC AUTHE…Work-in(g)-Practice: Configurations of the Popular Music lntertext (2000)Work-in(g)-Practice: Configur…Intertextuality and Hypertextuality in Recorded Popular Music (2000)Intertextuality and Hypertext…Intertextual Representation: On Mimesis as Interpretive Discourse (1984)Intertextual Representation: …Dramatic Recapitulation in Wagner's "Götterdämmerung" (1980)Dramatic Recapitulation in Wa…The Structure of the "Ring" and Its Evolution (1977)The Structure of the "Ring" a…Opera as drama (1956)Wagner's Parsifal: Musical Form and the Drama of Redemption (1986)Axis Tonality and Submediant in the Music of Shostakovich (2009)B rahms ' s M otivic H armonies and C ontemporary T onal T heory : T hree C ase S tudies from the C hamber M usic (2009)Die Welt als Wille und Vorstellung (2018)Die Welt als Wille und Vorstellung (2020)Mapping the Beat: Popular Music and Contemporary Theory (1997)Cover Songs: Ambiguity, Multivalence, Polysemy (2008)La musique pop incestueuse (2008)The Unconventional Music of the Democratic and Republican National Conventions of 2016 (2017)Charlie Parker : techniques of improvisation (1974)Charlie Parker and Thematic Improvisation (1996)Schenkerian Analysis of Modern Jazz: Questions about Method (1998)Dave Brubeck's Definitive "Jazzanians" (2013)Ordered Step Motives in Jazz Standards (2013)The Jazz Solo as Virtuous Act (2016)Intertextualities: Volosinov, Bakhtin, Literary Theory, and Literacy Studies (2004)Commentary: Indirect Indexicality, Identity, Performance (2005)History and poetics of intertextuality (2008)Blackvoice and Adele's Racialized Musical Performance: Blackness, Whiteness, and Discursive Authenticity (2013)The Cambridge Companion to the Singer-Songwriter (2016)The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis (1981)Tonality (2002)Hexatonic Poles and the Uncanny in Parsifal (2007)Black Hillbillies (2013)Why African Americans Put the Banjo Down (2013)Pat Boone’s last laugh: Cover versions and the performance of knowledge (2017)The Work of Authorship (2014)Theoretical Approaches to Quotation in Hip-Hop Recordings (2014)Intertextuality, sampling, and copyright (2015)The Rhetoric of Intertextuality (2009)Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives (2010)Shakespeare and Popular Culture (2019)Form and Voice Leading in Early Beatles Songs (2011)What Makes Rock Music “Prog”? Fan Evaluation and the Struggle to Define Progressive Rock (2011)Rhythmic Deviance in the Music of Meshuggah (2018)
this work references cited by second hop

References

  • 2007Adaptation and Appropriation908 cited
  • 1977The Structure of the "Ring" and Its Evolution127 cited
  • 1984Intertextual Representation: On Mimesis as Interpretive Discourse112 cited
  • 2000Intertextuality and Hypertextuality in Recorded Popular Music106 cited
  • 2003Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys86 cited
  • 2005Re‐flections on the Cover Age: A Collage of Continuous Coverage in Popular Music72 cited
  • 2005Composition versus Improvisation?39 cited
  • 2002HIJACKED HITS AND ANTIC AUTHENTICITY:35 cited
  • 2007Expression in Pop-Rock Music30 cited
  • 1980Dramatic Recapitulation in Wagner's "Götterdämmerung"13 cited
  • 2010Radiohead and the Resistant Concept Album11 cited
  • 2000Work-in(g)-Practice: Configurations of the Popular Music lntertext11 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work