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Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films
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  • 1993The Canon Debate, Knowledge Construction, and Multicultural Education647 cited
  • 2004Collective Identity and the Burden of “Acting White” in Black History, Community, and Education588 cited
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  • 2005Priming Mammies, Jezebels, and Other Controlling Images: An Examination of the Influence of Mediated Stereotypes on Perceptions of an African American Woman229 cited
  • 1999Racism, Mental Health, and Mental Health Practice220 cited
  • 1997Overcoming Obstacles: Academic Achievement as a Response to Racism and Discrimination214 cited
  • 2006Gender, Race, and Media Representation207 cited
  • 2014the oppositional gaze black female spectators205 cited
  • 2004Accountant stereotypes in movies distributed in North America in the twentieth century201 cited
  • 1996Hegemony or concordance? The rhetoric of tokenism in “Oprah” Oprah rags‐to‐riches biography176 cited
  • 2006Naturalizing Racial Differences Through Comedy: Asian, Black, and White Views on Racial Stereotypes in Rush Hour 2

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167 cited
  • 2009Cinethetic Racism: White Redemption and Black Stereotypes in "Magical Negro" Films164 cited
  • 2018Trapped between justified anger and being the strong Black woman: Black college women coping with racial battle fatigue at historically and predominantly White institutions164 cited
  • 2005Color Coded: Racial Descriptors in Television Coverage of Intercollegiate Sports146 cited