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Historiography and Sinification: Music in Chinese Cinema of the 1930s
4 references·9 citing·45 second hop
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this work references cited by second hop

References

  • 1994Audio-vision: sound on screen1,584 cited
  • 1967Look and See233 cited
  • 2004Building a New China in Cinema: The Chinese Left-Wing Cinema Movement, 1932-193788 cited
  • 2000Cinema and Urban Culture in Shanghai, 1922-194364 cited

Cited by

  • 2014Alternative Voice and Local Youth Identity in Chinese Local-Language Rap Music24 cited
  • 2017Early Film Culture in Hong Kong, Taiwan, and Republican China24 cited
  • 2012Wenyiand the branding of early Chinese film13 cited
  • 2017Chinese popular music as a musical heritage and cultural marker of the Malaysian Chinese12 cited
  • 2009Introduction: Screened Music, Trans-contextualisation and Ethnomusicological Approaches10 cited
  • 2012Music education in Shanghai from 1895 to 1945: the cultural politics of singing8 cited
  • 2012Behind the scenes of music education in China: a survey of historical memory7 cited
  • 2016A Historical Review of the Discourse ofFangyanin Modern China6 cited
  • 2012Innovation for Survival?: Dama Orchestra’s Butterfly Lovers—The Musical on a Contemporary Multiracial Malaysian Stage6 cited

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