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The Life of Forms in Art
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The Life of Forms in Art (1942)The Life of Forms in ArtSelf-Touch as Sociality (2020)Self-Touch as SocialityThe Material Production of the Spiral Jetty: A Study of Culture in the Making (2012)The Material Production of th…Wallace Stevens and the Aesthetics of Abstraction (2010)Wallace Stevens and the Aesth…Life Forms: A Keyword Entry (2010)Life Forms: A Keyword EntryAccessing material art through technologies of mediation and immediation (2007)Accessing material art throug…The Synthetic Ideal: the Fashion Model and Photographic Manipulation (2005)The Synthetic Ideal: the Fash…Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century (2004)Editor's Introduction: I. Wri…The aesthetic problematic (1997)The aesthetic problematicThe visible and the invisible (1968)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Varieties of Sensory Experience: A Sourcebook in the Anthropology of the Senses. (1992)Critical Factors Predicting The Acceptance Of Digital Museums: User And System Perspectives (2013)The Pleasure of the Text (1973)Visions of Excess: Selected Writings, 1927-1939 (1985)The arcades project (2000)The aesthetics of luxury fashion, body and identify formation (2010)Flattering the Figure, Fitting in: The Design Discourses of Stoutwear, 1915-1930 (2019)The Body: Fashion and Physique—A Curatorial Discussion (2019)The essential Peirce : selected philosophical writings (1992)How the leopard changed its spots: the evolution of complexity (1995)Biosemiosis, Technocognition, and Sociogenesis (2011)What Was Life? Answers from Three Limit Biologies (2011)Indigenous biospecimen collections and the cryopolitics of frozen life (2015)On Growth and Form, 1917 (2019)The Postmodern Condition: A Report on Knowledge (1984)Distinction: A Social Critique of the Judgement of Taste. (1985)`The Face-Off Between Will and Fate': Artistic Identity and Neurological Style in de Kooning's Late Works (1998)Identity and Difference in Complex Projects: Why Boundaries Still Matter in the “Boundaryless” Organization (2003)Distinction: A Social Critique of the Judgement of Taste* (2018)The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions. (1964)Surveying the literature on technoscience art: from pioneer stories to collaborations between artists, scientists and engineers as the object of study (2017)The Field of Cultural Production: Essays on Art and Literature (1996)The Rules of Art (1996)Music in Everyday Life (2000)‘I want this place to thrive’: volunteering, co‐production and creative labour (2014)How a literary work becomes a classic: The case of One Hundred Years of Solitude (2014)Innovation and creativity in creative industries (2021)The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding (1969)"I show how you feel": Motor mimicry as a communicative act. (1986)The symbolic species: the co-evolution of language and the brain (1997)Language, Thought, and Reality: Selected Writings of Benjamin Lee Whorf (1957)A Grammar of Motives (1969)58. Contingency, Irony and Solidarity (2015)Community and Autonomy (2019)
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Cited by

  • 2010Life Forms: A Keyword Entry77 cited
  • 2010Wallace Stevens and the Aesthetics of Abstraction49 cited
  • 2012The Material Production of the Spiral Jetty: A Study of Culture in the Making40 cited
  • 2020Self-Touch as Sociality29 cited
  • 2005The Synthetic Ideal: the Fashion Model and Photographic Manipulation16 cited
  • 1997The aesthetic problematic12 cited
  • 2004Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century10 cited
  • 2007Accessing material art through technologies of mediation and immediation5 cited

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