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Le pigment d’aérinite dans deux peintures murales romanes du Sud-Ouest de la France
4 references·1 citing·10 second hop
Le pigment d’aérinite dans deux peintures murales romanes du Sud-Ouest de la France (2008)Le pigment d’aérinite dans deux peintures…Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Catalogue of 45 reference Ram…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…The identification of aerinite as a blue pigment in the Romanesque frescoes of the Pyrenean Region (1992)The identification of aerinit…Ultramarine Blue, Natural and Artificial (1966)Ultramarine Blue, Natural and…L’illusion de l’or (2009)L’illusion de l’orCross-Sections and Chemical Analysis of Paint Samples (1956)Microcharacterization of a Natural Blue Pigment Used in Wall Paintings During the Romanesque Period in Northern Spain (2013)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman microscopy in archaeological science (2004)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Sgraffito, zwischgold et brocart appliqué. La dorure dans tous ses états au sein de quelques peintures murales (XIe-XVIe siècle) du Sud-Ouest de la France (2013)Heat alterations to pigments painted in the fresco technique (1991)Total reflection X-ray fluorescence in the ultramicro analysis of artists' pigments (1994)The Sibyls from the church of San Pedro Telmo: a micro‐Raman spectroscopic investigation (2014)
this work references cited by second hop

References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2003Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass422 cited
  • 1966Ultramarine Blue, Natural and Artificial37 cited
  • 1992The identification of aerinite as a blue pigment in the Romanesque frescoes of the Pyrenean Region20 cited

Cited by

  • 2009L’illusion de l’or8 cited

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