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Engagement through Alienation: Parallels of Paradox in World Music and Tourism in Sarawak, Malaysia
16 references·0 citing·36 second hop
Engagement through Alienation: Parallels of Paradox in World Music and Tourism in Sarawak, Malaysia (2006)Engagement through Alienation: Parallels …What is Cultural Studies: A Reader (2012)What is Cultural Studies: A R…Acting in Concert: Music, Community, and Political Action (1999)Acting in Concert: Music, Com…Global pop: world music, world markets (1998)Global pop: world music, worl…Questions of Cultural Identity (1997)Questions of Cultural IdentityThe Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)The Aesthetics of the Global …Professional Correctness: Literary Studies and Political Change (1996)Professional Correctness: Lit…Cultural studies and the study of popular culture: theories and methods (1996)Cultural studies and the stud…A dictionary of philosophy (1996)A dictionary of philosophyEthnicity, Identity and Music. The Musical Construction of Place (1995)Ethnicity, Identity and Music…Beyond Translation (1995)Beyond TranslationZouk: World Music in the West Indies (1994)Zouk: World Music in the West…Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning (1990)Paul Simon's Graceland, South…Hosts and guests: the anthropology of tourism (1989)Hosts and guests: the anthrop…Rebel Rock: The Politics of Popular Music (1986)Rebel Rock: The Politics of P…Big Sounds From Small Peoples: The Music Industry in Small Countries (1985)Big Sounds From Small Peoples…Historical Capitalism (1984)Historical CapitalismThe Hypothesis of the Mobility Transition (1971)Image and Pilgrimage in Christian Culture (1980)The Local and the Global: The Anthropology of Globalization and Transnationalism (1995)Performing tourism, staging tourism (2001)Creativity and tourism (2011)Disjuncture and Difference in the Global Cultural Economy (1990)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)Transidiomatic practices: Language and power in the age of globalization (2005)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Black Politics in South Africa since 1945 (1985)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)3.2. MARXISM AND LITERATURE (2006)Distinction: A Social Critique of the Judgement of Taste* (2018)FRAMING PORTUGAL (2004)Contesting the corporation struggle, power and resistance in organizations (2007)Symbols, meaning, and action: The past, present, and future of symbolic interactionism (2016)Form and Contentment (2000)Re-Marking Slave Bodies: Rhetoric as Production and Reception (2002)Out of style: reanimating stylistic study in composition and rhetoric (2008)THE EPISTEMIC DECOLONIAL TURN (2007)Coloniality of Power, Eurocentrism, and Latin America (2008)The Capitalocene, Part I: on the nature and origins of our ecological crisis (2017)A Sweet Lullaby for World Music (2001)World music: deterritorializing place and identity (2004)The Sublime Frequencies of New Old Media (2011)Ethnicity, Identity and Music: The Musical Construction of Place by Martin Stokes (ed) (1995)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Regions and place: music, identity and place (2006)Pedagogies and Practices in Multilingual Classrooms: Singularities in Pluralities (2011)Theorizing and Enacting Translanguaging for Social Justice (2013)Translanguaging and Literacies (2019)Telling Identities: In Search of an Analytic Tool for Investigating Learning as a Culturally Shaped Activity (2005)Toward a Tribal Critical Race Theory in Education (2005)Para além do Pensamento Abissal: Das linhas globais a uma ecologia de saberes (2007)
this work references cited by second hop

References

  • 1997Questions of Cultural Identity4,283 cited
  • 1989Hosts and guests: the anthropology of tourism1,131 cited
  • 1984Historical Capitalism603 cited
  • 1990Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning314 cited
  • 1995Ethnicity, Identity and Music. The Musical Construction of Place281 cited
  • 1995Beyond Translation268 cited
  • 2012What is Cultural Studies: A Reader230 cited
  • 1998Global pop: world music, world markets206 cited
  • 1996The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s205 cited
  • 1996Professional Correctness: Literary Studies and Political Change202 cited
  • 1986Rebel Rock: The Politics of Popular Music154 cited
  • 1985Big Sounds From Small Peoples: The Music Industry in Small Countries141 cited
  • 1996A dictionary of philosophy129 cited
  • 1996Cultural studies and the study of popular culture: theories and methods122 cited
  • 1999Acting in Concert: Music, Community, and Political Action113 cited
  • 1994Zouk: World Music in the West Indies113 cited

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