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‘A S cience of T onal L ove ’? D rive and D esire in T wentieth ‐C entury H armony : the E rotics of S kryabin
16 references·4 citing·33 second hop
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References

  • 2024Revolution in Poetic Language2,330 cited
  • 1997Defining Russia Musically358 cited
  • 1987Emotion in psychotherapy: Affect, cognition, and the process of change.323 cited
  • 1973Explaining Music308 cited
  • 1974The Structure of Atonal Music297 cited
  • 2000A Cognitive Theory of Musical Meaning254 cited
  • 1994Rameau and Musical Thought in the Enlightenment213 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 1992The angel's cry: beyond the pleasure principle in opera135 cited
  • 1981Tonal implications of the diatonic set114 cited
  • 1982Transformational Techniques in Atonal and Other Music Theories105 cited
  • 1991Ernst Kurth: Selected Writings88 cited
  • 1981The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis83 cited
  • 1969Perspectives on Schoenberg and Stravinsky75 cited
  • 1998Music Theory in Concept and Practice60 cited
  • 2004Julia Kristeva : Live Theory55 cited

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Cited by

  • 2010Skryabin's Revolving Harmonies, Lacanian Desire, and RiemannianFunktionstheorie7 cited
  • 2021Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony6 cited
  • 2015Pitch Organisation in S criabin's T enth S onata5 cited
  • 2020The Enigma of Entropy in Extended Tonality3 cited