The Interruption-Fill and Corollary Procedures

Yosef Goldenberg

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

Occasionally a link is inserted between the two branches of paradigmatic interruption structure. The chief type is based on chromatic ascent from pre-interruption ".fn_scaledegree("2")." to the regained primary tone. This is a stock figure in classical themes, especially in slow movements, but also serves as the basis for special artistic devices. The interruption-fill poses some theoretical difficulties.

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References

1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven 2006Elements of Sonata Theory 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata 1998Classical Form 2004The Classical Cadence: Conceptions and Misconceptions 1995The Romantic Generation 1987The Problem of Prolongation in Post-Tonal Music 1988A classic turn of phrase: music and the psychology of convention

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