References

• 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
• 2006Elements of Sonata Theory644 cited
• 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
• 1998Classical Form529 cited
• 2004The Classical Cadence: Conceptions and Misconceptions299 cited
• 1995The Romantic Generation222 cited
• 1987The Problem of Prolongation in Post-Tonal Music162 cited
• 1988A classic turn of phrase: music and the psychology of convention151 cited
• 1994Brahms and Schenker: A Mutual Response to Sonata Form77 cited
• 1983A Recurring Pattern in Mozart's "Music"75 cited
• 2001The Masterwork in Music: A Yearbook, 3 Vols. Heinrich Schenker Edited by William Drabkin Translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis Vols. 5, 8, and 10 Ian Bent, General Ed. New York: Cambridge University Press, 1994, 1996, 199760 cited
• 1981A Commentary on Schenker's Free Composition26 cited
• 1981Rhythm and the theory of structural levels22 cited
• 1998Surprising Returns: The VII Sharp in Beethoven's Op. 18 No. 3, and Its Antecedents in Haydn21 cited